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Hole is where the heart is for Chinese cave dwellers

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High in the misty hills of southwestern China, an hour’s hike from any road, the lowing of livestock echoes through Zhongdong village, where a group of 18 families live inside an enormous natural cave.

The final hold-outs of the country’s “last cave-dwelling” village have had modern conveniences, like electricity, for years.

But their only access to the outside world is a footpath winding through Guizhou province’s rugged mountain terrain.

Now a local tourism development company has built a 15 million yuan (S$3.1 million) cable car that residents will be allowed to use for free.

The funicular will make their daily lives easier and furnish new business opportunities, it says. It will go into operation May 1.

Currently, villagers must haul in all food and products that they can’t make or grow themselves – even large items like furniture – from the nearest town, a three hour commute each way.

While some residents are excited by the economic prospects of more tourists, others are unconvinced that the new transport will improve their lives in one of China’s poorest regions.

The cable car isn’t convenient for the rural people of Zhongdong, said 22-year-old Wang Xingguo, since poultry and unwieldy cargo will not be allowed in cabins.

“They said they’d build us a road 15 years ago, but then they discovered this was a place they could make money off and so chose not to build it,” he said, ushering a herd of goats into a pen near the mouth of the nearly 200-metre deep cave.

He added: “When authorities decide to develop a scenic spot, only they get rich.” The name Zhongdong literally translates to “middle cave”, a reference to its position between two smaller but uninhabited caverns.

Beneath the high ceiling, thatch-walled homes, piles of firewood, and domestic bric-a-brac like washing machines and bamboo posts hung with clean laundry surround a central square, fashioned into a dirt-floored basketball court.

There is no consensus as to when people first moved into the cave, but some families say they have lived there for generations. Most are of the Miao ethnic minority.

Wang’s father, Wang Hongqing, said their family moved into the cave when he was just a baby, not long after the founding of the PRC in 1949.

The cave was previously occupied by bandits. But when the People’s Liberation Army drove them out, Wang’s family seized the opportunity to make it their home.

Twenty years ago, he became the first in Zhongdong to convert a portion of his home into a small guesthouse and now makes some 18,000 yuan a year housing tourists.

New visitors brought by the cable car will make it “easier to make money” but there are downsides, he concedes.

For almost a decade, the government asked villagers to move out, but Wang refused, afraid of losing such an important supplement to his income from growing corn and raising free-range chickens.

There are concerns too that if they leave, and the area is formally incorporated into the nearby Getu River Park for ticket-paying visitors, they would be unable to return – or even visit.

Wang explained: “When they make this a tourist site, they’ll charge entrance fees, and I wouldn’t even be able to afford to get into the place that used to be my home.” Wang’s neighbour, Wei Xiaohong, hopes the improvements will bring the young people back from the cities where they have gone to find jobs.

Hundreds of millions of rural migrants have moved to urban areas since China began economic reforms in the late 1970s, hollowing out large swathes of the countryside.

The cave once housed a vibrant school with more than two hundred students from the broader region – roofless, like a number of other structures inside with no need of protection from rain.

But it was shuttered by authorities some time ago, and now Wei’s 12-year-old son must walk two hours to class.

The development company manager, surnamed Luo, said the project would revitalise the village, gutted by the rural-to-urban migration.

Zhongdong’s houses would be repaired, the primary school restored, and “the mess of dirty things inside” the cave cleared out, he said.

“In five years, we will have reproduced some of the original buildings and recreated the primitive life of the men out farming and the women at home doing housework for the tourists to visit,” he added.

But a hiker visiting the cave told AFP he would not take the cable car once it was finished, saying it “damages this place and its original style”.

The younger Wang agreed. He missed the cave while working his factory job in southern China’s industrialised, prosperous Guangdong province, where he spends most of each year, but is concerned about its future.

“We don’t live in an actual zoo, but it’s more or less the same thing,” he said as a dozen loud tourists in athletic gear trooped in to snap selfies.

He turned back to his goats.

“I don’t dare imagine what this place will be like in the future.”

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Malaysia may have been good hideout for Kim Jong Nam, say observers

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SEOUL – It was at Malaysia’s Kuala Lumpur International Airport that Kim Jong Nam, the estranged elder half-brother of North Korean leader Kim Jong Un, was killed – reportedly by two unidentified women presumed to be North Korean undercover agents.

CCTV cameras at KLIA2 have captured a clearer image of a woman believed to be one of the assassins who killed Kim Jong-nam, the half-brother of North Korean leader Kim Jong-un.Photo: The Star/Asia News Network

Read also: Clearer image of Jong-nam’s alleged killer caught on CCTV
North Korean embassy cars seen at KL hospital mortuary
‘Jong-nam did not respond to advice to seek asylum in S. Korea’

Over the past years, the North Korean figure has made frequent appearances in Kuala Lumpur, triggering rumours he had permanently moved to the country around 2012.

This file photo taken on February 11, 2007 shows North Korean leader Kim Jong-Il’s eldest son, Kim Jong-Nam.Photo: AFP

In January 2014, he was reported by a Japanese media outlet as eating in a Korean restaurant downtown. In December 2012, a South Korean outlet even attempted to interview him at a hotel lobby in the city.

Though the precise time and reason of Jong Nam’s stay there at the time are unknown, observers have suggested that Malaysia may have been a good hideout for the estranged Kim. The country not only holds diplomatic ties with both Koreas, but is located within six to seven hours by flight from the Korean Peninsula’s western coastline.

Malaysia is one of a dwindling number of countries that has close relations with North Korea, which is under tightening global sanctions over its nuclear tests and ballistic missile launches, the latest of which took place on Sunday.

Malaysians and North Koreans can also visit each other’s country without visas.

Read also:
China watching developments closely after death of North Korean leader’s half-brother Kim Jong Nam

Jong-nam fell out of favour after fake passport episode
Kim Jong-Nam, the ‘Little General’ who fell from grace
Kim half-brother pleaded for his life: Seoul MPs
World abuzz with why, how and what killed Kim Jong-nam
Kim Jong-nam murder: More journos arrive at Putrajaya Hospital morgue

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Inspection of trees in Singapore in line with global standards: NParks

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SINGAPORE: The inspection and care of trees in Singapore is in line with global standards, and in some areas exceed the best practices of the International Society of Arboriculture (ISA), the National Parks Board (NParks) said on Wednesday (Feb 15).

Group director Oh Cheow Seng said NParks takes an “adaptive approach” to tree management. More stringent inspections have been implemented over time in response to unpredictable and severe weather patterns, he said.

He was speaking at a media briefing held in the wake of two separate incidents where trees toppled, causing injuries and killing one person. 

Last Saturday, a woman was killed and four others injured when a large, 270-year-old heritage tree toppled at the Singapore Botanic Gardens. Two days later, another woman was put in intensive care after a tree at Yuan Ching Road fell on her.

The Tembusu tree in the Gardens case – which stands at 40m tall with a girth of 6.5m – was last inspected in September 2016. Due to its heritage status, it receives two checks a year – more frequently than other trees in the Gardens.

NParks said it could not discuss the reasons for the tree toppling as police investigations were still ongoing.

But Mr Oh said: “Trees react to changes in environmental, site and soil conditions. Tree care can mitigate risks but healthy trees can be affected by strong wind gusts and rainfall.

“On top of mitigation, a preventive measure against poor weather is to plant the right tree species in the right place – for example some are not suitable to be planted in waterlogged areas. Another possible measure is to increase the drainage around an area which is prone to being waterlogged by rainfall,” he added.

National Parks Board group director Oh Cheow Seng. (Photo: Justin Ong)

TREES INSPECTED REGULARLY: NPARKS

According to NParks, trees along expressways and major roads are inspected once every six to 12 months. Trees more than 4m in girth are also subject to yearly detailed second-level inspections.

This compares to ISA standards of an inspection every one to two years.

A second-level inspection can be of invasive nature and involve diagnostic equipment, versus a visual first-level check for defects and vitality.

A visual inspection process involves assessing the general condition, inspecting the root collar and roots, inspecting the trunk and inspecting the branches and crown.

Second-level checks employ a resistograph and tomography setup. The former sees a drill bit penetrate the wood to take readings, while the latter measures time taken for sound to travel though wood – the slower, the more decayed.

Tree care staff also undergo arborist certification exams within two to three years of service, said Mr Oh.

Other measures are taken to improve the general health of trees, such as routine mulching to supplement the regular fertilisers and pruning techniques to better their structure and balance.

Pruning is done for reasons such as tree health, vehicular height clearance and to control tree growth. Crown reduction for tall trees with dense crowns is necessary to improve its ability to withstand inclement weather, said Mr Oh. He added that pruning takes place prior to periods of more severe weather conditions such as squalls and monsoons.

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‘Make non-mainstream films’

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Channel your anger – that was what acclaimed American film-maker Martin Scorsese told Singaporean director Boo Junfeng when they met recently.

Asked for advice given the general difficulty of finding an audience for non-mainstream films, Scorsese, 74, told Boo: “You get so mad, you’ve got to make the film and you’ve got to show it, you demand the film be shown.

“Because if you don’t take advantage of your passion, the cinema will just become a theme park.”

His answer resonated with Boo, 33, who tells The Straits Times: “It was very much in line with my beliefs of persisting in my craft and allowing my passion to drive me. The cinema isn’t just a theme park – I think that comment he made hit the spot with me.”

Read also: Pop Aye first Singapore film to compete at Sundance

One of the most iconic characters in American cinema is the intense Travis Bickle played by actor Robert De Niro in Scorsese’s seminal 1976 movie Taxi Driver.

Boo is among those it has left a deep impression on.

So he leapt at the chance to meet Scorsese in Taipei, where the filmmaker was to promote his new work, Silence. The film, showing in cinemas here, is about two 17th-century Jesuit priests who journey to Japan to spread the Catholic faith.

Boo, whose feature films are coming-of-age drama Sandcastle (2010) and psychological prison drama Apprentice (2016), says: “I didn’t realise this at first, but I think Travis Bickle’s loneliness might have partly inspired the characters in some of my films.”

His whirlwind 18-hour trip was sponsored by Taipei-headquartered streaming service Catchplay (www.catchplay.com/sg).

A spokesman says the company organised the trip because the service is branded as “for movie lovers, by movie lovers”.

“We’d like to be more than just an OTT (over-the-top streaming) content provider. We would like to be part of the film community as well, which is why we invited a director each from Singapore and Indonesia to meet Martin (for him) to share insights with young, up-and-coming directors”.

While Boo was nervous about meeting one of the living legends of cinema, he managed to compose himself and handed a DVD of his movie to Scorsese.

He says: “He saw the title of Apprentice and said he’s already heard of it from (Cannes film festival head) Thierry Fremaux. I was super happy to hear that.”

Silence is in cinemas.

Watch Boo Junfeng speak with Martin Scorsese at http://str.sg/4eq2


This article was first published on 15 Feb, 2017.
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Why Singapore erotic films flop at box office

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No sex, please, we are Singaporeans.

Actually, make that no on-screen sex, and especially if the on-screen sex is locally produced.

Despite the longevity of the nowdefunct Yangtze Cinema, which screened sex-themed movies from the mid-1990s until last year, it seems that most Singaporeans do not have an appetite for celluloid sex, in particular, those made here.

In the past couple of years, three home-grown erotic films – Lang Tong (2014), Rubbers (2014) and In The Room (2015) – performed poorly at the local box office. Collectively, they made less than $250,000, which is not even a quarter of the $1.4 million earned by a modest hit such as local comedy Taxi! Taxi! (2013).

But this has not stopped Lang Tong writer-director Sam Loh from making another erotic movie – Siew Lup. The thriller, which opens on Feb 23, is about a former prostitute who, trapped in a loveless relationship, embarks on a steamy affair.

Loh, 50, says: “I hope I’m able to showcase a different kind of film in Singapore, that we don’t just churn out one kind of film. There are different directors doing different things, different from the usual HDB drama.”

Read also: Expect “Fifty Shades Darker” to be sexier, says Jamie Dornan

He has a Herculean task on his hands because there could be a bias against local sex-themed films.

Han Yew Kwang, who directed Rubbers, admits to being prejudiced himself: “If I go for Fifty Shades Of Grey (2015) or The Wolf Of Wall Street (2013), I expect to see some skin and really hot scenes. Asian or local films may not be as sexy.”

The 41-year-old says things may change if there are more of such titles and people come to accept them as a niche genre and become more comfortable watching them.

But others in the industry do not think sex on-screen draws local cinemagoers only if it features foreigners.

Mr Ng Say Yong, 54, managing director of film producer and distributor mm2 Entertainment, says: “I think viewers will judge a movie based on its merits, whether it is well-made and has a compelling story and characters.”

Film-maker Eric Khoo, 51, concurs that there is no bias.

Read also: Pop Aye first Singapore film to compete at Sundance

His movie, In The Room, which weaves together six stories set in Room 27 at the fictitious Singapura Hotel, has Japanese adult-video actress Show Nishino in the cast, but also failed to sizzle at the box office.

The bigger problem for local erotic films may not be the cast, but the rating. Too low a rating, say NC16 and below, could be a signal for audiences to move on. Han says: “I might feel there’s nothing to see and it might turn me off.”

On the other hand, an R21 rating not only limits the demographic of the audience, but also comes with restrictions on marketing and locations where a film can be screened.

R21 titles cannot be screened in suburban cinemas, and advertisements at bus stops, for example, are out of the question. The display of posters and banners for R21 films is restricted to cinemas licensed to exhibit such films.

Han’s sex comedy compendium, Rubbers, had a budget of $500,000 and made $110,000. It was rated R21 with no cuts; he had hoped for an M18 rating.

A running gag in the movie was the blocking of genitalia through clever framing and strategically placed objects. The Info-communications Media Development Authority (IMDA) notes, though, in its online Films Classification Database that the movie has “several sexual scenes between a man and woman in different positions… as well as a scene of a porn actor (with) another man”.

Han says: “The tricky thing is how to make one that will get a comfortable rating and yet attract enough audiences. I’m still learning.”

In The Room was released in commercial cinemas here, with an “international version” which was tweaked from the version that premiered at the Singapore International Film Festival in 2015. Visual effects were added and no cuts were made. The film’s executive producer Tan Fong Cheng had told The Straits Times that this was a “sexier” version.

Regarding its R21 rating, IMDA notes: “In several scenes, couples are seen… in various sexual positions for extended periods of time. There are also scenes portraying foreplay between couples, featuring fullfrontal nudity with genitalia visible at times.”

Lang Tong, about a womaniser who is drawn into a murderous scheme involving two sisters, was rated R21 for its general release. It had three minutes of sex scenes, including two lesbian love scenes, snipped.

But Loh says he was not deterred from sticking to his vision for Siew Lup. “The censorship thing is not my job. I’m a film-maker, my job is to make films.”

Siew Lup, which IMDA says has “frequent depiction of simulated sexual scenes coupled with nudity”, has been given an R21 rating with no cuts.

Given the difficulty of such racy flicks turning a profit, Clover Films managing director Lim Teck, 41, says his company has steered clear of making them.

Not only is it “challenging” to obtain sponsorship revenue for sexthemed movies, he says, but there is also tough competition from more established markets such as Japan and South Korea, which have scores of such material readily available.

Despite the dismal performance at the box office, local sex-themed films can be viable once foreign sales are taken into consideration.

“The most important thing for films that are not comedies is that they should have legs overseas”, says Khoo.

In The Room had a reported estimated budget of $1 million and grossed $52,000 here. Add in its proceeds from sales to more than 10 territories, including France and Taiwan, and the production cost was recouped, says producer Tan.

Lang Tong cost $500,000 and made $80,000, while Siew Lup cost $800,000.

Mr Ng from mm2 says the company had financially committed to the two titles from the get-go as it saw the potential in the film-maker.

He says of Loh: “He’s not just a sex-themed director – if that’s the case, that’s limiting. In fact, Sam is developing a horror film with us next. We see the suspense-thriller horror side of Sam more than the sex part.”

Lang Tong and Siew Lup have been sold to Taiwan and mm2 is in talks with South Korea and Japan. Mr Ng says that Lang Tong “barely” broke even.

Whether mm2 will finance the third instalment of Loh’s planned erotic trilogy, Dim Sum, will depend on “market response to the second movie”.

In contrast with the struggle of local sex-themed films to find an audience, risque Hollywood flick Fifty Shades Of Grey (2015) grossed more than $2.4 million in Singapore. It is the top-grossing R-rated film here.

Of course, it had a budget of US$40 million (S$56.9 million) and opened on 25 screens here.

The collective budget of Lang Tong, Rubbers and In The Room was about $2 million and they each opened on between five and seven screens.

A lower-budget film would have less resources for marketing and fewer screens mean a lower chance of getting seen.

Moreover, Fifty Shades Of Grey, whose sequel Fifty Shades Darker in now in cinemas, has one key advantage over Lang Tong, In The Room and Rubbers – a built-in audience that has read E. L. James’ best-selling novel, on which it is based.

As Khoo says: “The book is so big that you will find a certain traction there.”


This article was first published on Feb 15, 2017.
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New virtual reality tool brings Sisters' Islands corals to shore

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SINGAPORE: Marine biology students and conservation volunteers can look forward to exploring coral reefs at Sisters’ Islands Marine Park without actually having to go underwater with a new interactive Virtual Reality (VR) underwater simulation.

Eyes on Habitat: Coral Reefs is a collaboration between local startup Hiverlab, the Info-comm Media Development Authority (IMDA)’s PIXEL Labs and DHI Water and Environment.

In a joint press release on Wednesday (Feb 15), the developers said the training tool will enhance the training of marine biologists and reef monitoring volunteers as they learn methods in the assessment and monitoring of coral reefs, orientate themselves on monitoring protocols and practice their identification skills in a virtual setting before they embark on actual dives.

Eyes on Habitat: Coral Reefs simulation. (Photos: Hiverlab)

Currently, the developers added, instructors have to overcome the limited visibility usually experienced in Singapore waters, as well as the limitation of communication to visual cues and hand signals when training large groups of students or volunteers in habitat monitoring of underwater environments.

During the 30-minutes “dive”, users will be virtually guided along the reef to identify various marine organisms and can submit their answers using their Samsung VR headsets.

The development of the product took five months to complete and is now in its prototype stage.

A man wearing a VR headset at a demonstration for the prototype. (Photo: Vanessa Lim)

Moving forward, Hiverlab said it was looking at creating a collaborative platform where 3D scans and photogrammetry of corals and reefs can be crowdsourced to recreational divers, marine biologists and non-governmental organisations. This will allow it to cover more coral reefs around the world and create educational programs or workshops based on the data, it explained. 

A standalone prototype of Eyes on Habitat: Coral Reefs will be made available to the public at PIXEL Labs at National Design Centre and Jurong Regional Library in March. 

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Cold romance in beautiful Paris

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REVIEW / ROMANCE

LOVE CONTRACTUALLY (NC16)

98 minutes/Opens tomorrow/* ½

The story: Katrina (Sammi Cheng) is a nitpicking taskmaster of a boss who has issues such as claustrophobia and obsessive-compulsive disorder. Xiao Bo (Joseph Chang) is a former paratrooper turned courier who ends up as her assistant because of the attractive salary. He later learns that he was picked to be her sperm donor.

 

Perhaps the best thing dating couples could do during this Valentine’s season is to avoid this rom-com, which contains neither genuine romance nor comedy.

There is only plenty of nothing between Hong Kong singer-actress Cheng (Blind Detective, 2013) and Taiwanese actor Chang (Eternal Summer, 2006) to sustain this annoying debut feature by Chinese director Liu Guonan, which turns maudlin in the last stretch.

The romance between Katrina (Sammi Cheng), a fastidious boss, and her assistant Xiao Bo (Joseph Chang) never takes off.Photo: Clover Films

At 44, Cheng looks good enough to pass for a 35-year-old. Unfortunately, her character is a cold and cheerless creation that audiences will find hard to warm up to, even when she gets saddled with a sob story of a backstory that is meant to evoke some smidgen of sympathy.

The sunny Chang is the lone bright spot, but his character is just ridiculously perfect – man enough to save Katrina from a crazed employee and good-hearted to the point of being self-sacrificing.

And yes, he has also experienced tragedy in his past – essentially an excuse for him to have something in common with Katrina and also to set up the over-the-top ending.

Nothing else sticks here. Not the lacklustre storytelling, not the desperate use of France as a scenic backdrop and, above all, not the forced romance between Katrina and Xiao Bo.


This article was first published on Feb 15, 2017.
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‘Jong-nam did not respond to advice to seek asylum in S. Korea’

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SEOUL – An acquaintance of the half-brother of North Korean leader Kim Jong-un says he did not respond to advice to seek asylum in South Korea.

According to Yonhap News Agency as quoted in The Korea Herald, the South Korean resident in Malaysia said that he used to recommend that Kim Jong-nam go to South Korea rather than live in constant fear, as Seoul would protect him.

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“But he just smiled mischievously without reacting to my recommendation,” the acquaintance is quoted as having told Radio Free Asia (RFA).

He added that he frequently met Jong-nam before the 45-year-old eldest son of late North Korean leader Kim Jong-il was killed in Malaysia.

Kim Jong-nam was killed at KLIA2 on Monday after being attacked by two unidentified women.

The suspects fled the scene and police suspect North Korea was behind the killing.

Jong-nam’s acquaintance lamented not asking him more strongly about seeking asylum in South Korea, RFA said.

He also said Jong-nam was accompanied by security guards sent by China every time he went on a trip, wondering whether the guards were at the scene of the murder and mentioning the need to confirm the whereabouts of a Chinese-Singaporean woman who used to travel with Jong-nam.

According to the RFA report, the South Korean friend of Jong-nam, a former senior official of the South Korean residents’ group in Malaysia, said he had dined with Kim many times when he made trips to the country, expressing his feelings that he was shocked by the news of Jong-nam’s death.

“I had never heard of Jong-nam since the summer last year, when our meeting at a restaurant was exposed to news media,” the acquaintance said.

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