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Football: Mourinho gives no guarantees on Rooney future

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Manchester United manager Jose Mourinho was coy on questions over Wayne Rooney’s future at the club as he confirmed the striker was still not fit enough to return for their Europa League clash with Saint-Etienne.

There have been rumours that Rooney, who is no longer an integral part of the United side under Mourinho, could eventually leave for the mega-rich Chinese Super League.

“You have to ask him,” said Mourinho on Tuesday when asked if there was any chance the 31-year-old could follow in the footsteps of the likes of former United team-mate Carlos Tevez and move there before the transfer window closes next week.

“Of course I can’t guarantee (he will be here). I can’t guarantee that I’m here next week, how can I guarantee that a player is here next season?” Mourinho, though, insisted he wants Rooney to stay, saying: “I would never push, or try to push, a legend of this club to another destiny.” Rooney trained with his United team-mates in Manchester on Tuesday morning but was not part of the 20-man squad that flew to France for Wednesday’s last 32 second leg.

Asked if he would be fit for Sunday’s English Football League Cup final against Southampton, Mourinho was non-committal.

“I don’t know. This morning was the first time he trained and didn’t even train 100 per cent with the group,” the Portuguese boss told reporters at Saint-Etienne’s Stade Geoffroy-Guichard.

“He is injured, I cannot do miracles at that level,” said the boss.

“Rooney is injured, he (has been) injured for two or three weeks.

“When you don’t have a player, you have others. The team is in a good moment. In the past few months we’ve lost only one game and it was one we could lose as it was a two-legged match.” .

The Europa League has taken on added importance for United, who are battling on four fronts, as it offers a qualification place to next season’s Champions League for the winners.

With United in a tight battle for a top-four finish in the Premier League – there will likely be three places up for grabs between five teams behind runaway leaders Chelsea – Mourinho said he wouldn’t be prioritising competitions.

“I want to win tomorrow (Wednesday). I don’t want to win Europa League or Premier League, I want to win tomorrow,” he said.

“I want to win the final on Sunday – Sunday at 7pm. I want to win against Bournemouth in the Premier League. That is the way I think all the time and during my career.” Another player who didn’t make the match-day squad is England international full-back Luke Shaw, who has been out of favour with Mourinho.

After battling back from last season’s double leg fracture, Shaw has found games hard to come by since Mourinho succeeded Louis van Gaal, playing only once since November.

And Mourinho gave little indication the 21-year-old is likely to earn a starting place any time soon.

“Luke has to wait for his chance, he has to work better and better, knowing that I give nothing for free.

“When I give something for the players it is expensive for me, it is not cheap. They have to work really hard every day, they have to play well, so he has to wait and in this moment he is behind the others.” United won last week’s first leg at Old Trafford 3-0 thanks to Zlatan Ibrahimovic’s hat-trick and Mourinho believes there will be no way back for Saint-Etienne if his team performs well on Wednesday.

“If we play normally, as we usually play, I think it is mission impossible for Saint-Etienne.

“Even though I think we played badly in the first 45 minutes of the first leg. I shall tell my players to forget about the final on Sunday. I want my players to be focused.”

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Wednesday, February 22, 2017 – 09:07
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Thais spend highest average hours in peak congestion: Survey

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Drivers in Thailand have it worst with road congestion, according to a new survey on traffic conditions across 38 countries worldwide.

Thailand leads with the highest average hours spent in peak congestion (61 hours) last year, ahead of Colombia and Indonesia (47 hours).

The Global Traffic Scorecard survey, conducted by US-based transportation analytics firm Inrix, also showed Los Angeles topping the list of the world’s most gridlocked cities.

Drivers there spent 104 hours last year in traffic jams during peak congestion periods.

Five of the top 10 traffic-congested cities in the world were also in the US.

The survey showed that drivers in Singapore spent an average of 10.5 hours stuck in congestion last year.

The Thai capital, meanwhile, ranked 12th overall among the most congested cities in the world, with drivers spending an average of 64.1 hours stuck in traffic last year.

Traffic apparently worsened in the city, which was ranked 30th in 2015.

Experts blame private cars for congesting Bangkok’s roads, especially after sales spiked in 2011 following the introduction of tax breaks for first-time buyers by the government under then Prime Minister Yingluck Shinawatra.

According to statistics, new car sales in 2011 totalled three million.

But car sales have been steadily declining in the last four years due to weaker demand, totalling 2.69 million last year.

TAX INCENTIVE

The auto industry expects to see a spike in sales this year as the government’s five-year tax incentive scheme ends, allowing car owners to sell their old cars and buy new ones.

Aside from the volume of vehicles, accidents, floods as well as the bad driving habits of the Thais have been cited previously by traffic officials as causes for street jams.

Elsewhere in Asia, Jakarta was also among the cities with the worst traffic congestion, ranking 22nd in the survey.

Inrix, however, did not include other cities notorious for traffic jams such as Manila, Mumbai and Saigon. – THE STRAITS TIMES


This article was first published on February 22, 2017.
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Wednesday, February 22, 2017 – 09:36
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Football: China league like ‘lightning in a bottle’: Brighton chief

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China’s astonishing spending spree on foreign players could all end in tears like the United States’ first foray into building a football league in the 1970’s, according to Brighton chief executive Paul Barber.

Barber, whose side are on course for promotion to the Premier League for the first time in their history, said the China Super League could be just ‘lightning in a bottle’.

Chinese clubs have acquired the likes of Argentinian star Carlos Tevez – reportedly on a record 38 million euros (S$57 million) a season – and splashed out a reported 60 million euros on Chelsea’s Brazilian forward Oscar.

However, with a a few days remaining in the Chinese transfer window major deals have largely dried up after the announcement of salary caps and other curbs in January.

Barber, who revealed Chinese clubs had come calling at his club’s door regarding several of their players but they rejected them out of hand, said the galling experience of the North American Football League (NASL) should serve as an example to China.

“When I went to (MLS club) Vancouver Whitecaps Bob Leonarduzzi was the president,” Barber told a small number of journalists including AFP after speaking at the Sports Industry Breakfast Club sponsored by BT Sport.

“He was one of Canada’s most capped players appearing at the Olympics and the World Cup and had played in the heady days of the NASL when the Whitecaps had emerging players such as Frans Thijssen, Peter Beardsley and Bruce Grobelaar.

Read also: Football: Tevez to make mega-money China move

“However, the league also had Bobby Moore and Pele who were amazing players.

“Bob coined the phrase the NASL was like lightning in a bottle as in it was bright and attractive and people couldn’t help but be fascinated by it.

“However, it was also very contained and almost as soon as it appeared it was gone.

Read also: Football: China set to shatter transfer records

“For me it was a brilliant analogy and really stuck.” Barber, who has also had senior roles with the Football Association (FA) and Tottenham, said the Americans had learnt from their errors first time round and ensured there was depth below the elite level.

“After they hosted the 1994 World Cup they said we want to create this again but with a pyramid and be more sustainable.

“They have achieved both those things and it is growing. There is huge participation levels, the crowds are becoming significant and yes they spend money but only on two or three players per team.

“I would say China are in the first phase as in the NASL of 1974/75.” Barber, who came into football after a career in banking, said like the American clubs in the 1970’s it was no surprise the Chinese were spending heavily on players.

“When you are new and emerging you have to pay a premium for the best talent and that is what is happening like it did in the USA in the 1970’s,” said Barber.

“The best players did gravitate towards it and why wouldn’t you if you are at the end of ones career.

“Was it sustainable? No.

“It doesn’t seem sustainable in China with the amount of money being thrown around.

“But there again China is China.

“You never know.” Barber said while bids for Brighton players was flattering selling them would hinder their ambitions.

“Interest in our players shows how far Brighton has come in a very short space of time,” said Barber.

“Not only from EPL teams but Chinese Super League.

“However, our priority is to focus on being the biggest players in Sussex, we will worry about China another decade.”

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Wednesday, February 22, 2017 – 09:35
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Actress reportedly abducted and raped in India

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CHENNAI – The alleged abduction and rape of a well-known actress in the southern Indian state of Kerala sparked outrage among activists, who said the case highlights the dangers faced by all women in India and the lack of justice for victims of sexual violence.

In a statement to the police, the actress said she was abducted by a group of men, who drove her around in a car for two hours on Friday night and sexually assaulted and threatened her.

She had been picked up from her home by a car sent by a production house to take her to the studio for dubbing when she was attacked, the police said.

“The car she was travelling in was hit by a van from behind in a pre-planned accident,” police spokesman P.S. Rajasekharan told the Thomson Reuters Foundation.

He declined to name the victim as it is a rape case.

“The men then entered her car and drove away, dropping her off on the outskirts of Kochi after a couple of hours.”

The actress said they took pictures of her and filmed her during the assault, threatening her with blackmail, he added.

On Monday, Kerala police arrested two men, including the driver of her car, who investigators said was part of the plot to blackmail the actress.

The main accused, the actress’ former driver, is still at large, police said, adding that it suspected the involvement of at least seven people in the crime.

A case of kidnapping, rape and criminal conspiracy has been registered by the police.

Violence against women in India has been under the spotlight since the fatal gang rape of a 23-year-old woman on a bus in New Delhi in 2012.

Friday’s attack again underlined the vulnerability of women, campaigners said.

India toughened its anti-rape laws in response to the outcry over the New Delhi attack, but rape, acid attacks and domestic violence are common.

According to the National Crimes Records Bureau, 327,394 crimes against women were reported to the police in 2015.

The film fraternity rallied around the actress, staging a protest in Kochi on Sunday.

Describing it as a “heinous crime”, Association of Malayalam Movie Artists president and parliamentarian Innocent, who goes by just his first name, called for a swift investigation.

Actor Mohanlal Viswanathan Nair said in a post: “It is time we stop being candle-holding and candle-lighting sympathisers and ensure that the law of the land be strengthened…”


This article was first published on February 22, 2017.
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Wednesday, February 22, 2017 – 09:17
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Singaporean filmmaker Green Zeng’s The Return comes home

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SINGAPORE: In 2007, Green Zeng shot a short film called Sentosa. It was a fictional story about a former political detainee who returns to the island where he had once been placed in exile.

But something didn’t feel quite right. “After I made it, I wasn’t that happy about it. I felt I didn’t know much about the topic,” recalled the 44-year-old Singaporean visual artist and filmmaker.

Zeng’s initial foray into the world of political exiles and detainees would, however, eventually lead to his first full-length feature The Return.

The film – which premiered at the Venice International Film Critics’ Week in 2015 and was shown at the Singapore International Film Festival later that year – follows the fictional story of another former political detainee. Arrested for being an alleged communist in the 1960s, he now struggles to adjust to life after his release decades later.

After making its rounds at international film festivals for the past couple of years, it is now getting a commercial theatrical release in Singapore beginning Thursday (Feb 23) at Filmgarde Bugis+.

Co-written with his wife June Chua who is also the film’s producer, The Return stars veteran television actors Chen Tian Xiang, who plays the main character, and Vincent Tee as one of the children who copes with the arrival of his father after a long absence.

Veteran TV actor Chen Tian Xiang plays Lim Soon Wen, a former political detainee who struggles to adjust to life after his release. (Photo: Mirtillo Films)

FASCINATION WITH THE PAST

“One of the reasons I wanted to do the film was because the stories of political detainees are often written about in a very narrow manner in history books. We also don’t really know (much) about the lives of these people, especially after they’re released. I thought it would be interesting to highlight that,” said Zeng.  

He added that there was also a more personal reason for making The Return.

“It’s dedicated to my father and the people from his generation. Like the movie’s protagonist, my father was also Chinese-educated and very interested in politics, the independence of Singapore, and things like that,” he said.

“When I was writing it, he was always on my mind. But he was already very ill during that period and he passed away before I finished the film.”

The tumultuous era of his father’s generation is a period that has fascinated Zeng.

In-between making the films Sentosa and The Return, he tackled the lives of student activists and unionists in art exhibitions that explored what he describes as “dominant and non-dominant histories” in Singapore.

A scene from The Return. (Photo: Mirtillo Films)

For instance, one series, called An Exile Revisits The City, showcased photographs of a fictional political exile going around Singapore.

This would find echoes in The Return, where the main character is seen visiting different parts of the island. In one scene, he stands in front of the original Nanyang University – or Nantah – Arch. Back in the 1960s, the Chinese school had been a hotbed of student activism.

Many of his works are about understanding different historical possibilities, said Zeng. “It’s about asking the audience to imagine or at least consider what if history was written or interpreted this way or that,” he said.

Zeng, however, prefers to tackle such issues creatively. He pointed out that The Return is fiction, with the characters based on people he had read about while doing his research at the National Archives.

“I’m not a historian. While facts are important, I believe that the role of the artist is to interpret,” he said. “I was trying to understand the mechanism of how history was being written.”

HOPING TO CONNECT WITH SINGAPOREANS

In recent years, works of art that have tackled historical themes deemed politically delicate have led to artists and filmmakers clashing with authorities.

Among the more recent high-profile incidents was the withdrawal of a government grant for Sonny Liew’s acclaimed graphic novel The Art Of Charlie Chan Hock Chye due to “sensitive content”. Documentary filmmaker Tan Pin Pin’s film To Singapore, With Love, which looked at political exiles, was also given a Not Allowed For All Ratings classification.

But while he was making The Return, Zeng said he didn’t think much about such incidents. “I just concentrated on my work, crossed my fingers and waited.” The film was eventually given a PG13 rating.

The Return’s husband-and-wife team, director Green Zeng and producer June Chua, at the recent Kerala International Film Festival. (Photo: Mirtillo Films)

Beyond the potentially tricky topic of The Return, the actual making of the film had been quite a journey for the couple, who run the indie outfit Mirtillo Films.

The film project, which began in 2013, would stretch for two years as the couple dealt with financial issues as well as crew and cast schedules.

“It’s not really a commercial movie, so it was quite difficult to raise funds or ask any studio to finance the project, so in the end, we decided to use our own money. We didn’t give up. We were a bit naïve and had hope that one day we’ll finish the film.”

Zeng said The Return will continue doing the film festival rounds, but at the moment, he is looking forward to its Singapore screening.

“Of all the places it has been shown, this is the one place I’m really looking forward to. The film is quite universal — it’s about a man who is displaced and struggles to find his way back.”

A scene from The Return. (Photo: Mirtillo Films)

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PewDiePie vs YouTube: A Valuable Lesson

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YouTube made a big bet in the fall of 2015: viewers will pay a monthly fee to lift the video from the platform to add and get access to the original program starring some of the site’s greatest personality.

The idea is to use these stars to attract subscribers to a large audience of $ 9.99 per month for exclusive content with YouTube Red Service.

The strategy contrasts with competitive services such as Netflix and Amazon, which produce the same level of polished original programs as traditional TVs, such as “House of Cards” or “Transparent”. If Netflix is ​​an online version of HBO, its high quality, scripting, then YouTube Red is more like Bravo or MTV with its own reality star.

But this week, Felix Kjellberg, the biggest star on YouTube (known as PewDiePie for his more than 50 million subscribers), shows the dangers of YouTube’s strategy and proves that if YouTube wants to resist the existing paid streaming service , It needs to be more critical to see the stars it pats help.

On Monday, the Wall Street Journal found Kjellberg’s nine films with Nazi and anti-Semitic content, forcing Disney and YouTube to cut business relationships with him. YouTube canceled the second quarter of Kjellberg’s original red show and removed him from Google’s preferred ad network, which advertised next to the free video posted on YouTube. And Disney’s Maker Studios, published a video like a popular star like Kjellberg, will no longer work with him.

This event is an incredible drop in the grace of the biggest stars from YouTube. Kjellberg from his YouTube video in 2016 estimated $ 15 million, this figure may fall a lot this year, and now he is no longer able to access higher-income advertisers. Kjellberg responded to the controversy in an 11-minute YouTube video, accusing the media and the Wall Street Journal, especially in a Trump-style tirade.

The real story here is that Kjellberg represents a new variety of stars, one that grows on the internet and free to post anything he wants. That’s good and should be allowed to continue all the obvious freedom of speech you can think of. But if YouTube wants to turn this talent into something more mainstream to push the red subscription, it should look at the star it wants to bring again.

As Wired’s Emma Gray Ellis points out this week, Kjellberg publishes a long history of insensitive content in his video, including discussing selling slaves and comparing SNL actress Leslie Jones and Harambe’s gorilla. As John Herrman of the New York Times wrote, the recent controversy has extended Kjellberg’s “joke” to the rally of the right side of the Internet and other seed corners.

It is a dispute that should not be asked from WSJ’s YouTube and Disney’s discovery. YouTube is the perfect platform for people like Kjellberg, but it’s hardly like traditional video production. No writer. No producer. No agent or handler. Just people and their camera. If there is anything, YouTube needs a better way to review these new types of stars and then try to show them in a premium subscription product like red.

In the short term, removing Kjellberg from YouTube Red may have a minor impact on YouTube subscriptions. He is the most popular star on paid video service, but he is not the only one. Red has other advantages, such as all videos with no advertising experience and Google Spotify rivals Google Play Music.

But YouTube’s lesson this week is that when you click on people born on the Internet, you risk the worst part of the Internet. This is not a good foundation for building new business.

 

Budget 2017: SMRT, ComfortDelGro to pass on diesel tax savings to taxi drivers

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SINGAPORE: Taxi operators SMRT and ComfortDelGro plan to pass on savings from the reduction of annual special tax on diesel vehicles to their drivers, they told Channel NewsAsia on Tuesday (Feb 21).

This comes a day after Finance Minister Heng Swee Keat had announced a restructuring of the diesel tax system for vehicles and said the annual special tax would go down by S$850 for diesel taxis and S$100 for diesel cars. 

ComfortDelGro did not offer details on how the savings would be passed on, but the managing director of SMRT Taxis and Private Hire Services Tony Heng said: “We will reduce the daily rental rate for diesel taxis and increase contribution to the monthly Medisave top-up scheme for our diesel taxi-hirers.”

The new diesel tax system is a shift from a lump-sum tax payment model to a pay-per-use one. Diesel vehicle owners and taxi drivers now have to pay a 10-cent tariff for each litre of diesel pumped. 

“Inevitably, this will increase the taxi companies’ and taxi drivers’ operating costs,” said transport analyst Lee Der Horng from the Department of Civil and Environmental Engineering at the National University of Singapore.

Prof Lee said the announcement is another blow to the sector, which is already facing competition from private car hire services like Grab and Uber.

“In order to stay competitive in reacting to the competition from private-hire car services, the taxi companies are also reviewing their fare structure. But since the diesel tax is going to be imposed based on usage, this would actually complicate the taxi industry’s movements in restructuring their fare structures,” he said.

“I think this will provide further momentum in encouraging taxi companies to change their fleet, or to renew their fleet in adopting more environmentally-friendly vehicles,” he added.

Already, both ComfortDelGro and SMRT have started to introduce hybrid petro-electric cabs to their fleet. SMRT Taxis said eco-friendly taxi models make up nearly half of its fleet and therefore reduces its reliance on diesel fuel.

Currently, less than 10 per cent of cabs in Singapore are hybrids, but almost all of Prime Taxi’s cabs are, and the company said the restructuring of the diesel tax system is a step in the right direction.

“The diesel tax, in my point of view, is the first step on the roadmap towards green policies. I hope the Government will do more and eventually let diesel cars exit Singapore,” said Prime Group chairman Neo Nam Heng.

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Scientists find new miniature frog species in India

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Scientists have discovered four new species of miniature night frogs small enough to sit on a fingernail in a remote part of India, according to a report published on Tuesday.

The researchers, who spent five years exploring the lush Western Ghats mountains, said the tiny amphibians were there in abundance but had likely been overlooked because of their size.

They also found three other species of night frogs, according to the report in the PeerJ medical sciences journal.

“The miniature species are locally abundant and fairly common but they have probably been overlooked because of their extremely small size, secretive habitats and insect-like calls,” researcher Sonali Garg was quoted as saying.

Indian night frogs split off from other frogs some 70 to 80 million years ago, making them a particularly ancient group.

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Budget 2017: SMRT, ComfortDelGo to pass on diesel tax savings to taxi drivers

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SINGAPORE: Taxi operators SMRT and ComfortDelGro plan to pass on savings from the reduction of annual special tax on diesel vehicles to their drivers, they told Channel NewsAsia on Tuesday (Feb 21).

This comes a day after Finance Minister Heng Swee Keat had announced a restructuring of the diesel tax system for vehicles and said the annual special tax would go down by S$850 for diesel taxis and S$100 for diesel cars. 

ComfortDelGro did not offer details on how the savings would be passed on, but the managing director of SMRT Taxis and Private Hire Services Tony Heng said: “We will reduce the daily rental rate for diesel taxis and increase contribution to the monthly Medisave top-up scheme for our diesel taxi-hirers.”

The new diesel tax system is a shift from a lump-sum tax payment model to a pay-per-use one. Diesel vehicle owners and taxi drivers now have to pay a 10-cent tariff for each litre of diesel pumped. 

“Inevitably, this will increase the taxi companies’ and taxi drivers’ operating costs,” said transport analyst Lee Der Horng from the Department of Civil and Environmental Engineering at the National University of Singapore.

Prof Lee said the announcement is another blow to the sector, which is already facing competition from private car hire services like Grab and Uber.

“In order to stay competitive in reacting to the competition from private-hire car services, the taxi companies are also reviewing their fare structure. But since the diesel tax is going to be imposed based on usage, this would actually complicate the taxi industry’s movements in restructuring their fare structures,” he said.

“I think this will provide further momentum in encouraging taxi companies to change their fleet, or to renew their fleet in adopting more environmentally-friendly vehicles,” he added.

Already, both ComfortDelGro and SMRT have started to introduce hybrid petro-electric cabs to their fleet. SMRT Taxis said eco-friendly taxi models make up nearly half of its fleet and therefore reduces its reliance on diesel fuel.

Currently, less than 10 per cent of cabs in Singapore are hybrids, but almost all of Prime Taxi’s cabs are, and the company said the restructuring of the diesel tax system is a step in the right direction.

“The diesel tax, in my point of view, is the first step on the roadmap towards green policies. I hope the Government will do more and eventually let diesel cars exit Singapore,” said Prime Group chairman Neo Nam Heng.

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