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IKEA’s sale will be happening from 2 – 19 Mar 2017

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IKEA’s sale will be starting next month – check out some of the limited offers now. Family members (free membership) enjoy 1-day early preview

Food will also be going on offer – 50¢ chicken wings, $1/10pcs chicken balls, kids eat free & more on selected periods

IKEA’s sale will be happening from 2 – 19 Mar 2017

Singapore’s Swedest sale will be happening from 2 to 19 March 2017. With massive discounts store-wide, you’re sure to find a bargain. It’s only on from 2 to 19 March 2017, 10am to 11pm, so hurry before it’s all gone.

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Private schools to meet higher standards

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Private schools here will now have to meet higher standards that require them to track – and improve – student outcomes, including the academic performance, progression and employability of their graduates.

The Committee for Private Education yesterday released its enhanced EduTrust certification standards, part of a major shake-up of the private education sector to protect students and make information more transparent.

The revised standards will take effect for all private education institutions (PEIs) applying for or renewing their EduTrust certification from June 1.

EduTrust is a quality assurance scheme recognising PEIs that achieve high standards in key areas of management and the provision of educational services.

Currently, the scheme assesses PEIs against six criteria, such as corporate governance and administration, and student protection and support services.

The key change to the EduTrust scheme is the introduction of a seventh criterion to assess student and graduate outcomes. This standard will measure how the institutions track, review and improve the performance and outcomes achieved by their students.

Mr Brandon Lee, director-general (private education) of SkillsFuture Singapore, said this is “even more important” than before, given that the pilot employment survey of private school graduates released last year showed many lagged behind their peers from public universities in the job market.

“PEIs should focus more attention on the outcomes of their graduates and see what needs to be done to improve them,” he said.

“We also encourage prospective students to research their options carefully before deciding if they should pursue a degree with a private education institution.”

PEIs welcomed the change, noting that the higher standards are aimed at raising the quality of the sector.

PSB Academy acting chief executive Derrick Chang said student outcomes continue to be a key component of how his institution measures success internally.

Every year, for instance, PSB Academy commissions external agencies to conduct their own graduate employment surveys, which are published online and in recruitment materials.

“But more importantly, we remain focused on preparing our students to thrive and contribute in our future economy,” said Mr Chang.


This article was first published on Feb 22, 2017.
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Veteran actor’s return to film

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Veteran actor Chen Tianxiang – the face of kindly fathers and grandfathers on local television – finds himself in his first lead role in a film at the age of 76. He plays a released political prisoner in writer- director Green Zeng’s The Return.

Having lived through the 1960s period of leftist sentiment and heightened political sensitivity in Singapore helped Chen to connect with the role. He says: “I did hear about and had friends who were arrested, but I was not directly involved in the political scene. I was mostly involved in the arts.”

He was the first person auditioned, but Zeng, 44, did not think he was right for the role.

The film-maker says: “He dyed his hair and was smartly dressed so I thought he was not suitable. Two years later when I wanted to make the film, he appeared again, but this time he didn’t care anymore, his hair was undyed. He read the lines and I thought he’s the one.

“He’s the anchor of the film, if we couldn’t find the right actor, we would not have wanted to make it.”

The Return was selected for the Venice International Film Critics’ Week in July 2015. It opens here tomorrow at Filmgarde Bugis+.

The Return also features another veteran actor, Vincent Tee, 62, who plays Chen’s estranged son.

Its story resonated with him. “I was around 10 and had heard of an aunt’s son-in-law who was chased out of Singapore, but I didn’t know why at the time. There were fathers of friends who were jailed and later released and had to renounce communism,” he says.

Tee, a Nanyang Academy of Fine Arts theatre programme alumnus, had acted in Zeng’s wife June Chua’s first short film The Usher (2002) in the title role. Chua is also the executive producer for The Return.

Over the years, Tee has taken on all kinds of roles on TV, in films and on stage, including the lecherous and/or violent geezer. He says with a laugh: “People have said that I looked very fierce and scary. I’m okay with all those roles, I just take them all as a challenge.”

Chen started out at Rediffusion Mandarin Play Group and then moved to the local broadcaster, then called Radio Television Singapore, where he was already playing fathers in his 30s.

Between him and Tee, the two actors have several decades of experience.

“You keep learning as you grow older and with richer life experiences, you can dig deeper into roles,” says Tee.

Chen adds: “I love acting. Drama is life and life is drama. You can take on many different roles which are not possible in real life. And when you nail it, that thrill is indescribable.”


This article was first published on Feb 22, 2017.
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Short-term fixes vs long-term view: it’s a tussle

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The budget delivered by Finance Minister Heng Swee Keat on Monday outlined the key changes set to take place in Singapore in response to a fast-changing economy. Is the government addressing near-term concerns and doing enough to future-proof our people?

In a roundtable discussion moderated by Michelle Quah, senior correspondent at The Business Times, four panellists expressed their views. They are:

  • Melvin Yong, director (Industrial Relations Field) at NTUC;
  • Selena Ling, economist with OCBC bank;
  • Kurt Wee, president of the Association of Small and Medium Enterprises (ASME); and
  • Alan Lau, head of Financial Services, Tax at KPMG (Singapore).

Q: What are your thoughts on Budget 2017?

ASME: I think for the SMEs, it unfortunately doesn’t address the near-term concerns. With a budget surplus of S$5.2 billion in 2016, we don’t see any new cost measures to help businesses. In fact, we see costs going up. It’s still about picking the winners.

KPMG: We see a clear indication from the government to work towards a very balanced and inclusive Budget. I think there were things for SMEs as well as the man on the street, but more could have been done to address rising costs as well as value creation.

Q: The Budget could be split into short-term fixes versus more long-term measures for the future economy. How disappointed were you in the short-term measures that were announced?

ASME: There are some wins in the Budget. For example, the part on IP innovation vis a vis A*Star and the set-up of the SME Tech Hub. If you link it with the SME centre network, I think it can really help the ground in digitisation, but I’m not sure how far S$80 million will go. Businesses have seen a big chunk of the demand disappear and it’s not coming back. The S$700 million for construction is advanced expenditure from the future. There’re no new bold cost measures to help businesses with the wage bill.

Q: It seems like deferring foreign worker levies for two sectors is not going far enough.

ASME: It’s being deferred for the marine sector but for construction, they’re going to continue to allow it to increase. We were really expecting to see an expansion in the quantum from S$300,000 to S$1 million or even S$1.5 million for the SME working capital loan, but there’s no expansion.

Read also: Twitter users share how to save water after Budget 2017’s announcement of water price hike

Q: What are your thoughts for the broader economy and the larger-size businesses?

OCBC: Last year’s growth was slightly better than expected at 2 per cent, and they’re fairly confident that this year’s growth outlook is going to be in the 1-3 per cent range, so it’s a case of saving some ammunition for the future years to come. Last year’s Budget out-turn was a fairly sizeable surplus. I think some people were anticipating what the government could do to help workers with the transition between jobs, like the PMETs (professionals, managers, executives and technicians) in this year’s Budget.

NTUC: We’re quite happy to note that greater support will be given to improve job matching and job placing, as well as continuation of existing wage support schemes.

Q: Do you think that this suggests that the government is moving away from more broad-based tax measures and into more selective schemes?

KPMG: Yes. The other concern we have is the Productivity and Innovation Credit or PIC. It is intended to expire in 2018 and there’s no mention of that. Obviously, that is a broad-based tax incentive that was welcomed by businesses. We were also hoping to see a more focused approach as well, targeted at encouraging and rewarding value creation.

Q: On wages and job creation, do you think the measures are enough to achieve the government’s aim in ensuring Singaporeans have jobs and meaningful careers?

OCBC: The Ministry of Manpower is still looking to create 25,000 to 40,000 jobs this year. It’s not a case where you have a recession on hand or you have outright contraction on the labour market. Wage increment this year is probably going to be very constrained. In terms of expectations and continuing to grow the jobs and whether people can transition into new jobs when they’re displaced, how is the government going to help them in this period?

Read also: Budget 2017: 5 things that may affect you directly

Q: From NTUC’s point of view, do you think that workers are going to be happy enough with the wage scheme measures?

NTUC: There’re three challenges facing the labour movement. One is mindset change, both from companies and workers on how to remain competitive. The next challenge is putting in place the relevant infrastructure to facilitate the training and continuous learning so that the workers can transit to these new jobs. The last is enhancing our job matching and job placement abilities. A lot needs to be done to be able to do the transition well and effectively.

Q: SMEs might not be completely happy with what they’ve got on hand but it still requires a fair bit of a mindset change. Do you think that they’re ready to take on these new initiatives?

ASME: If you take into account 155,000 SMEs, of which 120,000 are small and micro, they are going through this tight economic phase during which they can’t find margins and their cost remains high, so what is the trajectory for them going forward? They also face challenges from neighbouring countries. We’ve been calling for broad-based grants for internationalisation to push the SMEs out of the country and build their demand pie in the foreign markets. If things aren’t progressing fast here, the MNCs (multinational corporations) and FDIs (foreign direct investments) will go to where economic marketplaces are moving and gaining momentum.

Q: Was there disappointment that there weren’t enough tax incentives to push companies overseas?

KPMG: The S$600 million internationalisation fund is certainly a step in the right direction, but I think the devil is in the details. How do we go about implementing it? There are thousands of SMEs out there, but what is the selection criteria the government is going to use to administer the scheme? It’s going to be a tough call on the government on which to go along with, who to co-partner and co-invest with. We do not have a broad-based incentive to substitute the PIC scheme and we haven’t plugged a gap in the tax incentive scheme.

Read also: Budget 2017: What startups and SMEs need to know

Q: Are measures enough in the face of rising protectionism from the US?

OCBC: A lot of the measures are an ongoing continuation of last year’s Budget and the CFE (Committee on Future Economy) recommendations. No one really knows what will happen with the US economic policy and President (Donald) Trump’s plans to adjust taxes. It’s not necessarily a bad strategy to keep some ammunition for a rainy day. The government has moved away from cash handouts and they recognise that the environment is evolving so fast.

Q: The Budget tried to encourage Singapore families and give support in terms of housing and preschool education. Do you think this will encourage more Singaporeans to have families?

OCBC: It’s the right shift away from monetary incentives like baby bonuses because bringing up a child is a lot more than just money on the table.

ASME: There’s a need to decentralise financial resources and let the resources flow to private preschool operators. In Singapore, we tend to concentrate on resources issued out of the Budget. … Very often, the private sector feels that they don’t get enough resource support for their ideas. We should think about decentralising Budget resources towards private enterprises and trade associations or professional bodies if we want to strive for diversity.

Q: The minister seems to be laying the stage for quite a number of tax changes in the future. What are your thoughts on this?

KPMG: I think they’re good initiatives but if you look at Canada, Ireland, United Kingdom and China, they have strong tax regimes to incentivise value creation. My concern is that we don’t have that in Budget 2017. We could fall behind.

Q: Do you think enough has been done in this Budget to future-proof our people?

NTUC: Singapore is a small and open economy and not in a position to shape the global economy. The task ahead is harder because change is much faster now and the state of the global economy going forward remains unpredictable. Businesses have to constantly reinvent themselves and workers have to be prepared to learn new skills.

OCBC: I’m cautiously optimistic. We do recognise the economic environment is different from the past where the government can set the strategy and pick winners but the world is very different today. What’s the catalyst to unite unions, companies, employers, SMEs and individuals together? I think it’s a work in progress. It’ll take a few more Budgets and committee recommendations to get there.


This article was first published on Feb 22 , 2017.
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What’s in this year’s $142,000 Oscars gift bag?

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Eyeing a pelvic floor exercise tracker, but not ready to commit to the purchase?

Read also: The brands behind the scenes at the Oscars 2017

Just go back in time, become a promising actress, land a film role, score an Oscar nomination and reach out to the marketing company putting together a swag bag for this year’s nominees including, you guessed it, a pelvic exercise floor tracker.

Los Angeles-based marketing firm Distinctive Assets is not in any way affiliated with the Oscars – in fact, the Academy has sued to put a stop to this nonsense – and there’s no evidence that they’re actually distributed to nominees, but that hasn’t stopped them from publicizing it every year.

Read also: Singaporean up for 2 Oscars for La La Land

Items in the very unofficial Academy Awards gift bag for 2017 total about $100,000 (S$142,000) and are as over-the-top as ever. While this year’s bag includes a few big-ticket items – like a three-day stay at a private California mansion – we’re more interested in the stuff that’s actually useful. For example:

  • A tube of ChapStick
  • A personal CPR kit, because you really never know!
  • A customised 64-count box of Crayola crayons
  • Fancy foot cream
  • Underarm patches that protect your shirts from sweat stains
  • Multiple cases of apples, in case you really love pie
  • Just a bunch of energy bars
  • “A Bangarang handmade wooden box filled with 199 cards that have positive actions and quotes,” which surely serves some currently unidentifiable purpose

Read the full article here.


Mashable is the go-to source for tech, digital culture, and entertainment content for its dedicated and influential audience around the world.

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Verdict on jet-ski death in Phuket due shortly

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A provincial court in Phuket is expected to hand down a verdict later this week after an Australian man pleaded guilty last Friday to a reckless driving charge following a jet-ski collision that killed his girlfriend.

Thomas Keating, 22, acknowledged charges following the crash off Kata Beach on February 5 that killed Emily Collie, 20.

Ms Collie, from Victoria, suffered severe neck and shoulder injuries and was later pronounced dead in hospital.

Earlier, Keating issued a statement to express his “unbearable sorrow” over the death of his “soulmate”, taking responsibility for Ms Collie’s death and apologising to her parents.

The pair, who had never ridden jet-skis before, were on the last day of a holiday on the resort island.

Police said Keating admitted the incident and an autopsy had confirmed that Ms Collie had drowned.

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Read Also:
– Thais charge Australian over girlfriend’s jetski death
– Australian tourist killed after jet ski collides with husband’s in Phuket

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Thailand extends visa-fee waiver for foreign tourists

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The Cabinet has decided to extend the free-visa incentive for foreign tourists by another six months.

Under the measure, visa fees will be waived at all Thai embassies and consulates until August, though visas on arrival will still cost Bt1,000 (S$41).

On Tuesday, Government Spokesman Sansern Kaewkamnerd said that waiving visa fees from December to February 28 had resulted in a 12-per-cent increase in foreign arrivals.

The move to waive visa fees was first introduced on December 1 after arrivals from China plummeted by 30 per cent due to last year’s crackdown on zero-dollar tours.

The government hopes that extending the visa-fee waiver for all nationalities will give Thailand’s tourism industry a boost as it heads into what is traditionally a low season.

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Singaporeans make sexy film debuts in erotic thriller Siew Lup

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The script of local erotic thriller Siew Lup – rated R21 for “frequent depiction of simulated sexual scenes coupled with nudity”, according to the Films Classification Database – would have been enough to scare off most women, but not first-time actress Rebecca Chen.

Speaking at a press conference at Hotel Vagabond on Monday, she says: “I’ve always been comfortable in my skin as I’m a dancer and I do a lot of modelling as well.”

Chen, 26, plays the lead character, former prostitute Mia, who falls for a caring funeral director Wu (Louis Wu) while stuck in a soured relationship with roast pork seller Quan (Sunny Pang).

After selling out quickly at the Singapore International Film Festival last year, the movie, whose title means “roast meats” in Cantonese, opens in cinemas tomorrow.

Both Rebecca Chen (far left) and Melody Low are making their film debuts in Siew Lup.Photo: The Straits Times

Chen says that her “very openminded” mother, 50, and 25-year old sister will watch it, but not her father, 52 – “he’s not very happy about it, but he’s willing to accept” the situation.

She started out doing Malay cultural dance at the age of 16 as a cocurricular activity and later picked up salsa and pole-dancing. She has performed at clubs such as The Butter Factory and Attica Singapore.

Despite her inexperience in acting, her ability to move won over director Sam Loh, 50. He says: “I see that as a strength for the film, that athleticism and body language.”

He had first approached model and YouTuber Melody Low, 24, for the role of Mia, but was rejected by her. She had appeared in figureflaunting outfits for the local music video Lingo Lingo, but drew the line at appearing topless.

Still, she accepted the role of Xuan, a young woman with a terminal illness, which called for lovemaking scenes with Wu. She says: “I was a little nervous so I drank some alcohol that day to ease my nerves.”

While her parents are “okay” with the film, she does not plan to let her more conservative 84-year-old grandmother know.

Lest you think that the nude scenes were a cinch for Chen, she says that she was not very comfortable with them. “I thought it through a lot and prepared myself emotionally.”

It helped that she had a competitive streak. After watching Loh’s previous erotic thriller Lang Tong (2014), she had decided: “I want to do better of course, I want to make it look as natural as possible.”

As for the inevitable online remarks about the actors’ bodies, their acting and even their characters, she says: “My dad has advised me to not look at comments so I don’t feel hurt or in any way make myself feel inferior.”

Low says she would take on board constructive criticism, but would just “ignore unreasonable people”.

They both want to continue acting in movies; Low can be seen next in a supporting role in the local comedy, Lucky Boy.

Chen – who calls the sizzling Sharon Stone thriller Basic Instinct (1992) one of her favourite films – is wary of getting stereotyped as “the girl who strips”. But she would be up for a Charlie’s Angels type of role – “fighting but still sexy”.

bchan@sph.com.sg

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Teacher's reaction to disruptive student 'inappropriate': ITE principal

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SINGAPORE – The reaction by a teacher disciplining his student was ‘inappropriate’, the Institute of Technical Education (ITE) College West principal Dr Goh Mong Song said in a statement to the media on Wednesday.

A video of the incident, which happened one year ago, has been circulating on Facebook with over 230,000 views and 4,700 shares after it was uploaded on Tuesday (Feb 21).

The video, which was supposedly filmed by a student, shows the teacher peering over a student’s shoulder as the latter stares at his laptop. The teacher then unplugged the laptop’s power adapter, not before uttering “you are too much” to the student.

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As the student tries to plug the adapter back in the power socket, the teacher grabs the student by the collar, and a scuffle ensues.

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“The student captured in the video had just joined the college then, had disruptive behavioural issues, and refused to put aside his personal laptop to do a project during practical lessons,” Dr Goh said in the statement.

Describing the incident as ‘isolated’, Dr Goh added that the teacher regretted his action and has since been counselled.

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Dr Goh also noted that current and past students have commended the teacher for his commitment and patience, while the student’s classmates were also encouraged to understand and support the student.

While many netizens were quick to slam the teacher, some urged viewers to exercise restraint before judging the situation.

“Why blame the teacher instead of asking what is really going on? Do you guys know what happened?” a Troy Lee asked.

Photo: Facebook screengrab

Facebook user Christopher Ng wrote: “This is my ITE teacher and he is a very kind and friendly teacher. I’ve been in his class for two years he wants the students to be well-disciplined during his class.”

Photo: Facebook screengrab

Dr Goh noted that the student and his classmates have adjusted better and learnt to be more understanding and accepting of the student’s behavioural issues.

He said: “The student’s parents are aware of the son’s behaviour and are appreciative that the college and counsellors are helping him to cope better.”

grongloh@sph.com.sg

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Behind the charisma, Lee Byung-hun is drawn to subtlety

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In one of his most acclaimed performances, Lee Byung-hun plays a gang member ordered to spy on his boss’s wife in director Kim Jee-woon’s 2005 noir “A Bittersweet Life.”

The character starts out as a ruthless perfectionist trusted to unquestioningly execute orders. But struggling with his dreams and real life, he begins to act on his own impulses.

While playing his recent role in the psychological drama “A Single Rider,” Lee was strongly reminded of that tortured mobster he had portrayed over a decade ago.

“(In terms of) the way you follow the characters’ emotional development, the two seemed to oddly overlap,” he said at an interview Monday at a cafe in Samcheong-dong, Seoul.

“A Single Rider” is the debut feature of former commercial film director Lee Zoo-young. The actor Lee plays Jae-hoon, a successful fund manager who loses everything after investing in a risky bond. Deep in depression, he travels to Australia, where his wife, played by Gong Hyo-jin, and son have relocated.

From afar, the once shrewd Jae-hoon watches helplessly as his wife has an affair with her next door neighbour, smoking pot with the Australian day-laborer.

Read also: Teary Lee Byung-hun featured on posters for new show

The story had struck a chord within him, Lee said. “It was among the top five best scripts I had ever read, personally. It was a story that I had to tell. It was a like a really good novel.”

The film’s characters rarely speak. Jae-hoon spends most of his time wallowing in the consequences of his life, only interacting occasionally with a young backpacker in Australia on working holiday, played by the K-pop idol-turned-actress Ahn So-hee. She too has been hurt, but through brute physical violence. Most of Jae-hoon’s thoughts and emotions are delivered via facial expressions, rather than dialogue, which Lee found “intriguing.”

Since his debut in 1991, Lee has had a distinguished career. Long before venturing out to Hollywood as Storm Shadow in the 2009 “G.I. Joe: The Rise of Cobra,” or as the knife-wielding gunslinger in last year’s “The Magnificent Seven,” Lee earned praise for his diverse performances.

His fame began to rise after the 2001 melodrama “Bungee Jumping of Their Own,” in which he portrayed a shy student of literature. A string of more charismatic, often frenzied roles followed: Lee turned into a villain in the 2008 “The Good, the Bad, the Weird,” Kim Jee-woon’s acclaimed eccentric spaghetti Western, and as a widower whose wife was killed by a psychopath in the 2010 “I Saw the Devil.”

Read also: Lee Byung-hun to tackle boxer role

In recent years, Lee has played a gangster with political ties in “Inside Men” and a ruthless mogul in “Master.”

But what really draws the veteran performer to characters is the subtle and often layered emotions he finds in them, the 46-year-old actor said.

“There’s a scene where Jae-hoon sits in front of the computer, calculating his assets and his debts, drinking,” he said. “He might think he wants to just die. But he’s not in a normal state. He’s drunk and emotionally agitated and depressed. I believe that’s not his real wish. It’s impulsive.”

After 26 years in his craft, Lee says there are still times when he feels a sense of euphoria.

“There are scenes where I act what I read on the script, but the emotion that’s conveyed is something completely unexpected. And unintentional,” he said. “Those moments are few, but euphoric.”

The film opened in theatres Wednesday.

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