It has become a frighteningly real prospect that Donald Trump will be the Republican nominee to run for the…
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PM Lee rejects blogger Roy Ngerng's request to pay part of damages
SINGAPORE – Prime Minister Lee Hsien Loong turned down blogger Roy Ngerng’s request that he be let off by paying $36,000 of the $150,000 he owes in damages.
PM Lee responded to the request by saying Mr Ngerng had to pay his debt in full.
However, he said that the blogger could pay the $150,000 in damages by instalments if the $30,000 in hearing costs are paid immediately.
According to a statement by the Prime Minister’s Office, Mr Ngerng agreed to the terms and will be paying the hearing costs by Mar 16 and $150,000 in instalments.
In a report by The Straits Times, Mr Ngerng’s lawyer, Eugene Thuraisingam said in a statement that he will pay $100 a month from Apil 1 for the next five years, following which monthly payments will be increased to $1,000 a month until the full sum is paid off by 2033.
No interest will be included if the payment is made on time. Otherwise, an interest rate of 5.33 per cent per annum will apply.
Mr Ngerng was taken to court for comparing PM Lee to legally embattled City Harvest leaders in a blog post on May 15, 2014.
At the time, the church leaders were being tried in court for misappropriating church funds.
In the post, he alleged that there were ties between the Central Provident Fund (CPF), PM Lee and sovereign wealth fund GIC.
Justice Lee Seiu Kin found the blogger guilty of being “malicious” and that he “cynically defamed” PM Lee, while adding that “the allegations that the plaintiff had criminally misappropriated monies paid by citizens to a state-administered pension fund was one of the gravest that could be made against any individual, let alone a head of government”.
“It struck at the heart of one’s personal integrity and severely undermined the credibility of the target, and was a grave defamation that a fair-minded person would react with indignation,” he added.
prabukm@sph.com.sg

Pupils showing signs of distress undergo suicide risk assessments: MOE
SINGAPORE – The Ministry of Education conducts suicide risk assessments for students who show “signs of serious emotional distress or who have mental health concerns that are known to the school”, said Acting Minister for Education (Schools) Ng Chee Meng in…
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Third man in Gadget Terminal case jailed six months for cheating
March 14, 2016 2:55 PM
SINGAPORE – A 32-year-old mobile phone salesman who cheated three walk-in customers at a Sim Lim Square shop in 2014 was jailed for six months on Monday (March 14).
Domino’s Pizza 1-for-1 Pizzas Coupon Codes 14 – 18 Mar 2016 | SINGPromos.com
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Citizenship not automatically granted to PRs who complete NS: MHA
But having completed National Service is a “plus factor” in the evaluation of a Permanent Resident’s citizenship application, says Parliamentary Secretary for the Ministry of Home Affairs Amrin Amin, with 98% of such applicants between 2011 and 2015 successful.
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Jack’s Place $9.90++ NZ Sirloin Steak Set Lunch 14 Mar – 13 Apr 2016 | SINGPromos.com
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UPDATE 1-Alibaba's logistics arm raises funds from Singapore investors, others
* Alibaba arm set up with China logistics firms in 2013
* No details given on size of fundraising or valuation
* Weak logistics is potential chokepoint as China e-commerce
grows
(Adds details from statement)
BEIJING/SHANGHAI, March 14 – The logistics arm…
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From ninja to elder statesman: Japan techno king Ken Ishii
Tokyo – Japan’s techno trail-blazer Ken Ishii rocks huge crowds the world over and leads a glamorous, jet-set life – but the superstar DJ insists he’s a “bit of a nerd” at heart.
Ishii, 45, burst onto the dance scene more than 20 years ago and has scooped up MTV awards, composed the theme song for the 1998 Winter Olympics and even appeared on the cover of Newsweek magazine.
But new album “Leaps”, released last week under his alter ego “Flare” and which draws heavily from 1980s influences Kraftwerk and Japan’s Yellow Magic Orchestra, reveals a more introverted side to the Sapporo-born artist.
“Flare is more personal and experimental,” Ishii told AFP in an interview. “It’s like getting a new toy.” But while he feels a sense of liberation, there is also a buzz of nostalgia that accompanies a return to “basics” Ishii experienced during his start in the industry as a producer.
“My earliest music was experimental so it’s like going back to my roots,” he said. “I’m still like a kid when I’m in front of my computer.
“I guess you could say I’m a bit of a nerd when it comes to the creative process of making music.” Ishii’s new 10-track record, which comes 23 years after he cut his first track, is a throwback to the 1980s and marks a subtle departure from his trademark techno voodoo.
Industrial beats combine with squiggly synthesisers and video game bleeps to whisk the listener back in time: imagine Kraftwerk, Depeche Mode and an old Atari game console stuffed into a power blender.
“When I was seven or eight, the first wave of video games like Space Invaders triggered my interest in electronic sounds,” said Ishii, who fondly recalls pinching coins from his dad’s pockets to spend at the video arcade after school.
“The album sort of harks back to what I used to listen to in the 80s,” added Ishii, who became hooked on techno music after discovering Detroit overlords such as Juan Atkins, Derrick May and Kevin Saunderson.
“Electronic music was a big influence, particularly Yellow Magic Orchestra, Kraftwerk and German industrial, new wave stuff.
“But for me Detroit techno was like punk music in the late 70s in London – it was a movement.” Ishii quickly shot to fame after signing to Belgian techno label R&S Records while still at university, tearing up dance floors in Europe before Japan knew what techno music was.
“They brought me to Europe for my first ever gig and it was in front of 30,000 people in Amsterdam,” he recalled. “Nobody knew me, they were all wondering who this Asian kid was.
“I’d only had one warm-up gig before that, in front of about 30 people. They had me come out on stage dressed in all black with these models in sexy ninja costumes.” A No. 1 on the techno chart of British music magazine NME in 1993 was followed in 1996 by an MTV video award for the single “Extra” – both firsts for a Japanese artist.
His seminal album “Jelly Tones” came out in 1995 as his stock soared.
Then the Japanese Olympic committee called, followed by television commercial work, a movie soundtrack and even offers to act.
But at that point, Ishii slammed on the brakes, terminating his record contract and forming his own label in 2002.
“People stopped seeing me as an underground artist because of the commercial success,” he said.
“The record company was pushing me to release hit after hit, to use female singers – stuff that had nothing to do with techno.
“I didn’t want to cross that line, to sell out. I wanted to go back to the underground. I’m an old-school guy.” Ishii has a philosophical attitude towards today’s generation of celebrity DJs who fly in for shows by helicopter and plug in pre-programmed sets they often play for an entire festival season.
“People get into this game now to be pop stars,” said Ishii, who still gets driven to gigs in his manager’s battered Toyota.
“People are buying tickets to watch a guy who’s just standing on stage waving his hands.
“I’ll have a drink with the promoters and fans after a gig, but maybe some DJs now think it’s a waste of time – that more gigs means more money,” he added.
“I’m not bothered about flashy cars. I don’t care how I look when I arrive. I’d still be doing this even if I didn’t make any money.”

Sheer wheel power
A team of Singapore students made an electric car so light that it is lighter than the driver.
By shedding about 25 per cent of the car’s initial weight of about 60kg, it could travel much more efficiently.
At 44kg, the NTU Venture 9 (NV9) could attain an efficiency of 425km/kWh, which is equivalent to covering the distance from Singapore to Kuala Lumpur using one kilowatt-hour of power. This was possible as the car was made almost entirely out of carbon fibre.
The only downside to this car is its discomfort, as the driver is seated at a 30 degree angle, close to the floor while driving.
The NV9 was made from scratch by Nanyang Technological University (NTU) students for the annual Shell Eco-marathon Asia, organised by the Shell Oil Company.
The competition draws students from academic institutions in Asia to create innovative and fuel-efficient cars.
This year, 118 teams participated in the competition that was held in Manila from March 3 to 6.
NTU sent two teams and they bagged a total of six awards.
Foo Shiwei, team manager of NV9 preparing the car for its flag-off.
Photo: NTU
The driver of the NV9 from the team Nanyang E Drive, Miss Venus Chow, said: “The weather was really warm and the suit I had to wear didn’t help at all. I felt like I was in a sauna for 30 minutes.”
Despite the discomfort, Miss Chow, 23, was relaxed while driving NV9 around the tracks.
“It is a new experience for me and I will definitely do it again if I am given the opportunity,” she said.
The team behind NV9 focused on creating an “aerodynamic” and “aesthetically pleasing” car that “stands out from the masses”.
Their strategy was to reduce the weight of the car to make it more efficient.
They looked for components that could be made lighter.
For example, they had customised carbon fibre wheels redesigned to have thinner layers to make it even more lightweight.
They also miniaturised all the wiring.
In the competition, the team took part in five races and the best result from the five races would be used.
They began to have problems in the last two races. For example, the team had to scramble to quickly fix a critical steering component that broke. And on the fifth attempt, the seatbelt of NV9 broke off, cutting off power to the wheels and bringing the car to a stop.
AWARDS
Despite the numerous obstacles, NV9 bagged two awards.
The other car from NTU, Singapore’s first 3D-printed urban solar electric car NTU Venture 8 (NV8), was the brainchild of team NTU Singapore 3D Printed Car. It picked up four awards at the competition.
NV8 (leftmost) on the race track in Manila.
Photo: NTU
The building process was not always smooth.
It was a challenge patching the car together from 150 printed pieces that “didn’t connect well” with glue.
The team members had varying schedules and had to find time to construct the car.
When asked if the competition affected their grades, the team members said with a laugh: “Hopefully not! We should be responsible enough to manage our time well.”
NV8 was selected to be among the five teams to compete in the Shell Drivers’ World Championship in London in July.
Before that, though, the team plans to improve their car by tweaking areas such as the brakes suspension and reducing the weight of the power source.
A team spokesman said: “We are setting realistic goals for ourselves and hope to gain new knowledge. If we can win something, that would be great. The bottom line is to do our nation and region proud.”
Associate Professor Ng Heong Wah, who mentored the two teams, felt that the students exceeded all of his expectations.
“Not only did the students use their engineering knowledge, they also went beyond what they learnt in their curriculum to find new ways to improve fuel efficiency and performance while ensuring the safety standards,” he said.
“With new teams joining the race every year, the competition gets tougher, and our win was so close that it was down to mere decimals.
“These awards are proof of the students’ relentless perseverance, determination, and drive to want to do NTU proud.”

This article was first published on March 14, 2016.
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