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A lonely burden for only children

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Editor’s note: This is the fourth in a series of reports China Daily will publish looking at the lives of elderly people, the problems they face and ongoing efforts to improve their standards of living. More stories will be published in the weeks to come.

Next year will be the 10th anniversary of Su Yao’s departure for the United States, but she is planning to return home during the Christmas holidays, instead of the anniversary.

If the trip goes ahead, it will be the fourth time that Su has visited her home country in a decade.

“I have many plans for the time I will be at home, such as buying a new TV and computer, surfing the Chinese internet, installing a chess game on the computer for my father, running bank errands with my mother and other things,” she said, adding that she started writing her to-do-list two years ago, during her last visit to China.

Most of her plans revolve around her parents, who live in Harbin, capital of the northeastern province of Heilongjiang, and will retire soon.

“When I came to the US I could never set my mind at ease because my parents were far away from me and I couldn’t stop worrying about them, even over trivial things that really weren’t worth the trouble. For example, when we chatted via online video, the reception was always unstable. There were probably some simple tech problems. My husband is a software engineer and his job is to solve tech problems for other people, but we couldn’t even solve our parents’ tech problems,” the 33-year-old said.

“I can’t think about it too much. Every time I do, it breaks my heart. I’ve wondered many times if things would be better if I had a sibling.”

Su’s concerns are shared by many members of China’s “only-child generation”, people born between the late 1970s and last year, many of whom live in different cities, provinces and even countries to their parents.

Aging population

In 2007, the National Health and Family Planning Commission said there were 90 million only children in China. However, Wang Guangzhou, a researcher at the Chinese Academy of Social Sciences, believes the true figure is much higher, estimating that there were 145 million only children in 2010, and that the number rose to 176 million last year.

The one-child policy was introduced in the late 1970s, so the oldest members of the only-child generation are about to enter their 40s. Many are faced with the challenge of looking after their elderly parents, the oldest generation of whom is now age 70 and older.

China’s population is aging overall. Last year, the population was 1.36 billion, and 210 million people were age 60 or older, according to the National Bureau of Statistics.

No official statistics are available to show how many only children and their parents live in different places, but as China becomes more open to the outside world and the economy remains strong, young people have more opportunities to leave their comfort zones and travel overseas, resulting in prolonged separations from their parents.

For example, the number of young Chinese studying abroad has surged in the past decade. From 1978 to last year, 4.04 million Chinese people had studied overseas, including more than 3 million in the past 10 years. Given their ages, many are likely to be only children.

“My parents can’t speak English, and they get bored easily in the US. Whenever they visit me for more than a month, they talk about going home and seeing friends,” Su said.

Separate lives

Li Hao has worked in Turkey as a business development manager since 2013. The 29-year-old only child from the northern port city of Tianjin enjoys life overseas.

“I enjoy the environment and the simple life, just work and fun times,” he said. Living abroad means Li doesn’t have to worry about complicated personal relationships, but every year, he spends almost his entire two-month vacation visiting his family at home.

His mother had surgery recently, and being overseas meant Li felt the separation more keenly. “It wasn’t a serious ailment, just a minor operation. But I was concerned because I was away from home and received very little information,” he said.

Eventually, Li decided to take time off work and return home to look after his mother when she was discharged from the hospital.

He is now considering returning to China for good, or at least spending more time working in the country “to take better care of my parents and set my mind at ease”.

The problems caused by separation also affect children who live in China, but in cities and towns thousands of kilometers from their parents.

Last year, a story called Don’t Dare to Die or Marry a Husband or Wife from Somewhere Other Than Your Hometown, which focused on the difficulties faced by both parents and children, went viral online. It was written by Yang Xiwen, an only child who lives in New Zealand.

“The title expresses all my fears,” said Zhang Hui, a 29-year-old who lives and works in Shanghai, far from her hometown of Yancheng, Jiangsu province, in East China.

“Being an only child means I cannot even date a boy outside of my hometown because it would be hard to take care of my parents at the same time, according to my mother,” she said. Even though Shanghai is only a three-hour drive from Yancheng, her mother has been pushing her to return home for work.

“In my hometown, it’s regarded as shameful for senior people to live in nursing homes. My mother does not want to live in Shanghai and I can’t afford for her to live in Shanghai, especially at her ‘desired living standard’. She thinks it would be easy for her to live with me if I was in my hometown,” she said.

Back in the US, Su Yao has decided to postpone making any decisions about the future. Her lifestyle means she has to be flexible and respond to circumstances, even though she has to determine the best course of action for her parents and her young family, especially her 2-year-old son.

“I want him to attend primary school in China, but then again, five years ago I said I would give birth at home,” she said. “At the moment, I’m leaving this dilemma behind me for a while in the hope that everything will become clearer later on.”

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Beyonce dominates MTV awards with fiery show

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New York – Beyonce on Sunday (Aug 28) stole the spotlight at the MTV Video Music Awards with a visually intricate medley of her next album with a subtle political touch.

Beyonce, who was up for the most awards in the night at 11, brought a surprise entourage to watch at New York’s Madison Square Garden – the mothers of four young black men whose deaths have galvanized the US public in recent years.

She later took the stage with a medley of songs from her intertwined album-film “Lemonade,” starting with Bey in a haze of fog and culminating in fire.

Toward the end of a more than 15-minute set, the sound of a single shot rang out as her circle of dancers fall one-by-one and turn to red.

Beyonce was in the running for Video of the Year for the first track of “Lemonade” – “Formation,” the most politically charged song of her career in which police officers at one point are depicted raising their hands as if under arrest.

“Lemonade” also features the mothers of three slain young African American men whose mothers joined her in the audience – Michael Brown, Eric Garner and Trayvon Martin. The mother of a fourth man, Oscar Grant, also joined her.

Martin, 17, was killed in 2012 by a white neighborhood guard, helping trigger the Black Lives Matter movement. Brown, Garner and Grant were all killed by law enforcement.

Singer Alicia Keys offered another of the night’s powerful moments as she recited a poem she said was inspired by civil rights hero Martin Luther King Jr. who delivered his landmark “I Have a Dream” speech in Washington 53 years ago Sunday.

In a year marred by global conflict and a bitter US presidential race, Keys, who moved seamlessly from spoken word to a cappella, voiced hope that “maybe we can love somebody instead of polishing a bomb.” “If war is holy and sex is obscene, then we got it twisted in this lucid dream / Baptized in boundaries, schooled in skin, divided by difference, sexuality and skin,” she recited.

The Video Music Awards, broadcast to more than 120 countries, have long been known more for their on-stage antics than the winners, and this year MTV decided to let the artists loose.

In one of the night’s most anticipated moments, rap superstar Kanye West – who last year used the occasion to declare his intention to run for president in 2020 – delivered a nearly stream-of-consciousness speech about empowerment.

“I sit down and talk to older, like, rich people – you know, white,” West said to laughter and chanted of his stage-name Yeezy.

“And they tell me, don’t compare yourself to Steve Jobs, don’t compare yourself to Walt Disney,” he said.

But West said that Disney and the iconic late Apple chief were among fewer than 10 artistic heroes in his life – who also include himself.

“Three keys to keeping people impoverished are taking away their esteem, taking away their resources and taking away their role models,” said West, who started his speech by deploring street killings in his native Chicago.

He then presented a racy new video for his song “Fade” featuring actress and singer Teyana Taylor, who moves her body sensually in a gym before a steamy shower scene.

The video marked a theme, if accidental, of the evening of sexualized exercise.

Ariana Grande and Nicki Minaj earlier received roars of approval from the crowd for a sensual take on a workout, with the pop star and rapper dancing together in a stage transformed into a gym full of highly physical young men.

Drake won in the rap category for “Hotline Bling,” one of the most popular songs of the year.

But Drake did not appear to accept the award. According to the presenter, rap icon Puff Daddy, the Toronto star got stuck in New York traffic.

MTV presented its Video Vanguard Award, named after late King of Pop Michael Jackson in recognition to her contributions to pop culture, to Rihanna, who was to perform four times.

Rihanna opened the ceremony with, aptly, “Don’t Stop the Music,” as she glided across the stage in a snug white T-shirt with a team of performers in matching laced outfits.

She later returned with another medley of tracks – including her recent hit “Work” – performed with a group of body-shaking dancers from inside the audience at Madison Square Garden.

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Eating street in Singapore

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Tuesday, August 30, 2016 – 00:00
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Taiwan ministry's grant for Cheer Chen, AMIT raises eyebrows

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TAIPEI – A Ministry of Culture grant programme has sparked intense criticism after five pop groups were awarded funding.

Many, especially those working in the cultural scene, expressed outraged following the release of the grant results.

Anger was focused on both the fact that all five recipients were contracted to either major record labels or event corporations, and also that the ministry had insisted on keeping decision process and the names of reviewers a secret.

The contentious annual programme, in its seventh round since its launch in 2011, rewarded each recipient sums falling between NT$4 million to NT$8.3 million in grants.

Most of the recipient projects were either for concert productions or theatre collaborations.

The combined sum of grants given out this year accounted for approximately NT$32.3 million.

Critics noted the amounts dwarf those awarded by similar grant programs, such as the ministry’s indie music marketing grant, which offers a maximum of only NT$2.5 million for each proposal.

This year’s recipients included the much criticised “concert/exhibition” project of local singer-songwriter Cheer Chen (陳綺貞), the Chairman Band’s (董事長樂團) collaboration with Chio-tian Folk Drums & Arts Troupe (九天民俗技藝團), pop diva AMIT (阿密特) and artist Tung-yen Chou’s (周東彥) experimental concert.

Icing on the Cake

“Firms that signed deals with these hit artists already gained plenty from all the major commercial performances they put on. Giving companies that already have abundant resources large sums of money is evidently ensuring the big fish stay big,” local radio personality DJ Book (陳立書) said in an op-ed last week.

He added:”Rather than adding more icing on the cake, it is more urgent to provide charcoal in the snow – in other words, encouraging talented budding artists.”

Local curator and chairman of the Association of the Visual Arts in Taiwan (中華民國視覺術協會) Sean Hu (胡朝聖) told The China Post that he sees “structural problems” at the Ministry of Culture as the root of the grant controversy, arguing that they had failed to comprehensively assess the budget plans of its former entities.

The ministry was established in 2012, combining the former Council for Cultural Affairs (文建會) and Information Bureau (新聞局).

“It’s disheartening for people working in art to see pop musicians easily receive grants up to NT4, 5 million dollars at a time, while artists and sculptors that are struggling to survive often receive only 50, 100 thousand for each project,” said Hu.

“Is this fair? Do these celebrities, who may be worth billions of dollars, truly need that money?” he added.

Culture Versus Commerce

The news that Cheer Chen received a grant of nearly NT$8 million drew intense criticism of her current songwriting exhibition in Taipei. The event has sparked discussions over how most exhibitions seen in major cultural parks were more commercial than they were cultural.

Hu said, on a positive note, commercial exhibitions could encourage more people to develop the habit of visiting exhibitions, allowing them to welcome art exhibitions or to be willing to spend money on culture.

“Once the market is opened, demand for professional talent will increase and a growing number of people will enter the field,” said Hu. “It will result in a positive cycle.”

However, Hu said there is still concern that some exhibitions organised under the banner of culture lack substantial content, catering only to popular tastes.

“Usually, preparation for art exhibitions could take from one to ten years, but (commercial exhibitions) only require a few months. Some charge people to take photos with large cartoon characters. Their varying ticket prices bear deeper implications for other art exhibitions in the market, it fails to boost aesthetic tastes and knowledge, and it could distort how people see exhibitions.

“What worries me is once the demand for such exhibitions go up, there could be less venues on offer, making it even more difficult for art exhibitions to prosper.”

Hu suggested that commercial, franchise exhibitions should take their displays department stores rather than cultural parks, which he said should be subject to stricter government regulations.

A certain portion of venue spaces should be reserved for emerging, young artists, urged the curator.

“Just as I’ve always emphasised, there is no cultural industry (文創) without originality (原創). And it’s better to encourage local exhibitions rather than bringing in a large number of work from overseas. “

Cultural Ministry Promises Action

The Cultural Ministry said in a statement that it is currently drafting preliminary adjustments to grant terms, with the aim of improving transparency. Officials vowed to complete and implement the revision as soon as possible.

The ministry’s Bureau of Audiovisual and Music Industry Development (影視及流行音樂產業局) said their controversial grant was aimed at encouraging local popular music companies to create cross-disciplinary music products – meaning crossing over to other fields – combining music with film, television, drama, video games, performance art, among others.

Another focus was the use of technological innovation in music production.

“Regarding the selection criteria for the grant programme, our considerations include the technology or method of cross-disciplinary collaboration with pop music as the basis, whether the project will effectively boost competitiveness for the popular music industry, development plans, budget reasonableness, and the teams’ capabilities and past performance,” the bureau said.

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King Koil: Annual Warehouse Sale (Private Sale on 1 Sep) from 1 – 5 Sep 2016

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KING KOIL: Warehouse sale – first day for Citibank credit cardholders only (1 – 5 Sep)

King Koil: Annual Warehouse Sale (Private Sale on 1 Sep) from 1 – 5 Sep 2016

The King Koil Annual Warehouse Sale is BACK featuring massive savings! There will be better deals & steals from a wide range of products including Mattresses, Bedding, Linen, Furniture & Sofas.

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G-Dragon makes accidental acting debut

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K-pop superstar G-Dragon may have bit off more than he can chew when he agreed to be a guest on Saturday’s special edition of “Infinite Challenge.”

During his decade-long career as an entertainer, G-Dragon has never accepted roles in films and dramas because he hates watching himself act, but after unwittingly accepting to appear as a guest on “Muhan Company,” the regular comic skit of “Infinite Challenge,” G-Dragon may finally be making his acting debut.

G-Dragon revealed on Saturday’s behind the scenes episode that he thought he would be alongside comedians or singers, but later found out that he would be rubbing shoulders with some of Korea’s top stars, such as actress Kim Hye-soo and actor Lee Je-hoon.

He was unaware that the “Muhan Company” skit was being revamped into an action blockbuster special with writer Kim Eun-hee developing the plot and director Jang Hang-joon taking the reins on filming.

It appears G-Dragon has been nudged in the middle of this high value film set with veteran actors, and despite his tenure as an entertainment industry senior, he seemed nervous and unconfident.

Furthermore, G-Dragon will reportedly be playing a very big role in the skit-turned-film, heightening his anxiety as well as anticipations for the episode.

The special “Muhan Company” edition of “Infinite Challenge” is scheduled to broadcast on Sept. 7.

Check out behind-the-scenes footage of G-Dragon’s takes below:

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Tomb hunters: In search of a vanished past

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We find the grave eventually.

It looks nondescript – a stone slab with Chinese inscriptions, a joss urn in front of it and the usual hump of earth behind. What is odd about the grave is not the what of it, it is the where.

Brothers Charles and Raymond Goh are in a clearing in the Bukit Timah Nature Reserve, after walking a hiking path 1km from our start point, a carpark in Chestnut Avenue. Insects buzz around our heads. The roar of Bukit Timah Expressway can be heard, faintly.

Out of sight of the path, hidden behind bushes, is this solitary grave.

Older brother Raymond rubs his fingers over the text, painted in red. It says this is the resting place of Chua Moh Choon, a powerful triad society leader who died in 1879.

“The colours are too bright,” he says with excitement. It indicates that the paint was laid down recently. He points out another anachronism – the pattern of grinding marks on the slab show it was made with electric tools.

The first time the Chua grave was found was in the 1980s. Except the grave was in Upper Thomson Road. A decade after that, it vanished. No one knows who took it or why.

Then, recently, explorers from the Temasek Rural Exploring Enthusiasts group, while looking for another artefact, stumbled on this jungle grave, hidden from hiking paths. They tipped off the Gohs.

And here we are, at a grave that was lost and found, then lost and found again, assuming this new site has something to do with the disappearance of the old one. There are more riddles: Who made this modern replica of a 19th-century grave? For what purpose? And why here?

Most interestingly: Is this just a marker or did someone exhume Chua’s remains and rebury it here, where they would be safe from urban development?

The brothers paint a spooky picture of a clandestine grave-digging, of men dragging slabs and equipment around the jungle, perhaps under the cover of night.

This venture has a bit of everything they love – decoding clues, making a connection to the past, the joy of discovery and, perhaps most importantly, the pleasure of telling the story behind the stones.

The brothers are in high spirits.

“Solving a mystery, yes – and putting what we know to good use,” Charles says.

Their exploits have earned them nicknames.

“Tomb whisperers” and “tomb hunters” have been bandied about for their work in grave location and identification. “Ghostbusters” or “myth busters” have been used for their paranormal investigation work.

The Gohs see history everywhere. They cannot help it.

On the hike back from the jungle gravesite, they point out mossy cement pillars. They formed a cattle fence, from early 20th-century structures that gave Dairy Farm Road its name. At the Bukit Timah Guild House, where we do the interview, Charles, 49, spots a rare item in the grass: a cable marker stone from the now-defunct Telecommunication Authority of Singapore.

The senior safety manager with a construction company says: “Every stone tells a story.”

Mr Raymond Goh (far left) and Mr Charles Goh were exposed to the supernatural from a young age. (Photo: The Straits Times)

The media first took notice of the brothers in the mid-2000s, after they began pinpointing the graves of leaders and towkays whose names adorn Singapore roads and buildings, and for helping families locate the resting places of ancestors.

In 2012, in an overgrown patch across from St Joseph’s Institution, they found the grave of businessman Chia Ann Siang, who had Ann Siang Hill and Ann Siang Road named after him.

Neither Charles nor Raymond, 52, a pharmacist, make a penny from their heritage work.

They work as a team. Charles researches historical maps and pores over old government records and archived news clippings. He is usually the first to walk an area, looking for signs of a grave.

Raymond is fluent in written Chinese and has an encyclopaedic knowledge of clan lineage. Finding a grave is not enough. You have to know when the burial took place, who is buried there and if that person left a mark on Singapore history. That is his job.

Take, for example, how the brothers found a forgotten graveyard near the Singapore General Hospital (SGH) in 2014.

Raymond’s reading of temple records pointed to the existence of a cemetery in the Outram area. Charles found it drawn on colonial-era maps. Cross-referencing it to a current map, he noted an undeveloped area.

He walked the thickly overgrown patch, noticed the graves, then called Raymond to read the inscriptions. Their find was reported in The Straits Times and, this year, the Government’s plans to redevelop the hospital complex include provisions to preserve the graves and heritage features such as the walls from an old asylum.

It all started in 2005, when Charles was a licensed freelance tourist guide, conducting “ghost tours” of Bukit Brown Chinese Cemetery, a site that was then known mainly to families who visited during the annual tomb-sweeping Qing Ming festival, joggers and horseback riders. It had been closed to burials since the early 1970s. His idea for holding tours there had sprung from how anything that gave him the chills also fascinated him.

Raymond participated in one tour and was hooked – not by how spooky it felt, but by how astonishingly old the tombs were. “Some of them date back to the time of the Daoguang Emperor, who reigned from 1820 to 1850. I could not believe that tombs like that existed in Singapore,” he says.

He was so intrigued, he started to do his own exploration and research of the site and also got a tourist guide licence so he could tell more people about it.

A few years earlier, Charles had founded Asia Paranormal Investigators, a group dedicated to applying rational, scientific principles to spooky phenomena. The group is today largely a website and forum, he says. As redevelopment surges ahead in Singapore, causing old houses, kampungs and even venerated trees to disappear, calls have dwindled.

When the Government’s plan to cut a highway through Bukit Brown surfaced in 2011, another chapter was added to the brothers’ book of varied activities.

The pair, especially Raymond, began sharing their knowledge with the volunteer community, All Things Bukit Brown, that work to raise awareness of the cultural and historical value of the cemetery. The “brownies”, as its members are known, conduct regular guided walks of the site.

Ms Catherine Lim, an editor of the All Things Bukit Brown blog, says Raymond has been doing “dogged walking” of the cemetery since 2006.

“The site is big and you can walk and walk and you might miss something, so you walk again, then you see it. It’s hard to see – the inscriptions are faded,” she says.

Then, as both she and Raymond note, he has to keep a mental list of historical figures and names connected to people who have asked him to find long-lost ancestors. That list is cross-checked against each inscription.

Lim’s blog carries heartwarming stories of descendants who had given up hope of finding a certain ancestor in Bukit Brown’s thousands of graves, only to have them discovered through Raymond’s sleuthing.

The president of the Singapore Heritage Society, Dr Chua Ai Lin, talks about how the Gohs “pick up things that everyone else has forgotten about Singapore history”.

“They have been doing it a long time, in their spare time, at such an intense pace.”

They are practical historians, combining research with fieldwork.

Dr Chua says: “Right in the centre of town, there is a jungle and there are ruins from the 1860s and 1870s. Under our noses, next to SGH. No one knew about it until they brought it to our attention.”

That work led to real results when it was announced that redevelopment would preserve the historical finds, she says.

Raymond is the eldest of five children, comprising three boys and two girls. Charles is the third child. Their father, who died recently, was a taxi driver. Their mother is a retired hawker who ran a kway chap stall. Both sons remember long, foul-smelling hours spent cleaning pig intestines.

The Gohs grew up in a family that had one foot in the supernatural world. An aunt was a medium and both brothers have experienced weird happenings as children.

As a teen, Raymond trained to be a medium. In one initiation ceremony, a needle was inserted – bloodlessly – through both cheeks.

Charles, who says he has a more Western outlook than Raymond, was into horror and science fiction, and had what he thinks were out-of-body experiences when he was younger.

Those experiences have taught them to keep an open mind.

In most cases that they have looked into as paranormal investigators, the supernatural can be ruled out. Charles says “99.9 per cent can be explained. It’s only a tiny fraction that can’t be explained”.

Raymond is married to a part-time clinic assistant and has three children in their teens and 20s. His children have accompanied him on treks.

Charles is married without children. His wife is Christian and prefers not to be involved in his tomb activities, he says.

Even as Singapore’s uncharted parts shrink, the brothers plan to go on searching for tombs or other marks of a vanished past. Charles says: “As we have this interest and the knack for it, we’ll just keep doing it as a way of giving back to society.”

Raymond says he will continue to help the brownies conduct tours when he is free. Otherwise, he will carry on trekking in Bukit Brown and its surrounding areas, which also contain graves. The site is larger than people think it is, he says.

“It is 162ha in size and has 200,000 tombs. There are still many unexplored areas,” he says.

Mr Charles Goh (left) and Mr Raymond Goh (second from left) at the Tu Di Gong temple at Bukit Brown Cemetery in March 2010. (Photo: The Straits Times)

Charles on Raymond: Good interpretive skills

Like Raymond, Charles says artefact-hunting is made a lot more bearable when you have someone there with you. The Goh brothers plan missions via e-mail and text messages. If they do not meet on missions, they meet a few times a year at family gatherings.

Charles will do much of the archive-related work, such as going through news clippings. While much of it is online now, he might still need to make a trip to the National Archives or the Singapore Land Authority for historical material.

He credits his older brother for being the one with the interpretive skills, in which the ability to decipher tomb inscriptions is married to a mental database of prominent Singapore families and where their estates used to be. Many landowners were buried on their land.

Many times, when they have to cut a path through the bush, Charles says he is glad for the company.

“Walking on a 8ha plot, bashing through thorny vines, it takes 10 minutes to walk a few steps. Many times, I find nothing,” he says. So, being able to hear another person’s voice nearby is comforting, he says. In the bush, they usually split up and shout to each other to stay in touch.

If he is alone, Charles says, he might take a screenshot of his location on Google Maps and text it to Raymond in case he needs to be rescued.

Raymond on Charles: Uncanny ability to navigate

Charles has a spatial intelligence that allows him to orient himself on a plot of land and see how maps drawn in different eras relate to one another, says Raymond.

“He’s an explorer. If he has a map and compass, he can find his way. He makes it look simple,” he says.

In the jungle where every tree looks the same, Charles’ ability to navigate is uncanny. He is usually the first to enter an area, so he has to deal with the undergrowth. He can spot boundary markers only a few centimetres tall, fallen over or hidden under brush. “He can find a stone or a tomb in all that vegetation,” his brother says.

Often, it is only after Charles has found something that he tells Raymond to come in for a look.

The heat, thorny plants and biting insects will make the less determined give up. Not Charles, who Raymond says will carry on hunting for days, sometimes weeks on end.

There is another thing that the two of them give to each other, without which their most important finds would not have happened – emotional support.

“People ask us, ‘Why are you wasting your time in the jungle? You can go out and make more money for your family'”, says Raymond.

“When I have someone along who is as foolish as me, it helps,” he says with a laugh.

johnlui@sph.com.sg


This article was first published on August 29, 2016.
Get a copy of The Straits Times or go to straitstimes.com for more stories.

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LTA to stop issuing vehicle road tax discs from February 2017

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Motorists will no longer be required to display road tax discs on the windscreens of their vehicles from Feb 15 next year.

This is because the Land Transport Authority (LTA) said it will stop issuing physical road tax discs as part of its efforts to “streamline its processes”.

Between now and Feb 14 next year, motorists will continue to receive their paper road tax disc when they renew their road tax. From Feb 15 next year, motorists will only receive a road tax payment notice, and no paper road tax disc will be issued.

In a statement, LTA said that motorists are still required to ensure that they have paid the requisite road tax for the year. Using a vehicle without a valid road tax is an offence and liable to a maximum fine of $2,000.

Motorist can continue to check, as well as print out proof of the validity of their road tax via the One.Motoring website.

From Thursday (Sept 1), motorists can only pay their road tax via AXS m-Stations (mobile) and e-Stations (Internet), in addition to existing electronic payment channels such as AXS Stations, the One. Motoring portal and Giro. These new payment channels will improve convenience for motorists, added LTA.

Motorists should also ensure that their original motor insurance certificate is readily available in their vehicles at all times. Those driving into Malaysia are advised to carry printed proof of the validity of their road tax in their vehicles.

sujint@sph.com.sg

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More than 1,300 HDB shops get S$29m aid to improve business

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SINGAPORE – More than 1,300 shops in 25 neighbourhoods and town centres will receive S$29 million worth of assistance as part of an effort by the Government to improve their business vibrancy and competitiveness.
The announcement for the Housing and…

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Girls' Generation member apologises again for social media blunder

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Tiffany, a member of K-pop girl group Girls’ Generation, has posted a second handwritten apology on her Instagram. The apology came on Saturday after the first one was deemed insincere by some.

Tiffany caused a stir after she posted a Japanese flag emoticon on the eve of Korea’s National Liberation Day and a rising sun flag design on National Liberation Day, Aug 15, when Korea attained independence from Japan in 1945. The rising sun flag is emblematic of Japanese wartime atrocities committed in the early 20th century. Tiffany was at the Tokyo Dome Concert on the day she posted the controversial image.

Tiffany wrote in her second apology:

“I am sorry that this apology comes so late. I was scared and nervous about having caused much hurt and disappointment. I should have said these things sooner, and I will try my best to convey how truly sorry I am.

I posted a rising sun flag design on my SNS on National Liberation Day. This is something I should never have done, given the significance of the day. I lacked knowledge about history to the extent of not knowing what the rising sun flag symbolizes, and I was insensitive to the pangs of the historical past. I am truly sorry for those who were hurt by my ignorance and indifference. I am very sorry to all those who had trusted and supported me.

I have been able to continue my music career thanks to those who have loved and supported me. I was not very aware of basic Korean history despite all the love that I received (from Korean fans). I am ashamed of myself for not having studied (Korean history) meticulously.

I panicked after realizing at the airport the gravity of my mistake, so I wrote my first apology in a state of panic and in a hurry. I should have put more thought and time into that apology, and I am very sorry that I did not. I have continuously regretted that I had missed the opportunity to write a more sincere apology, and I hope my sincerity comes through in this apology.

The recent incident enabled me to learn what is truly important. I will focus on studying things from now on that are more important than singing and dancing.”

As a result of posting the controversial images on her SNS, Tiffany will be unable to attend the pep rally held by her agency S.M. Entertainment in Hawaii to mark the agency’s 20th anniversary. She was also forced by public pressure to drop out of “Unnies’ Slam Dunk,” a reality show on KBS.

Tiffany posted an apology on National Liberation Day, but the apology was considered insincere by some people, as it was devoid of the specifics of Tiffany’s blunder. It lacked the words, “National Liberation Day,” “rising sun flag,” or “Japanese flag.” Culture critic Ha Jae-geun speculated on EBS news on Monday that Tiffany probably left out the specifics in order to avoid possibly antagonizing her Japanese fans.

Tiffany’s first apology had said:

“I am sorry to have caused so much trouble on this special and important day. I am very ashamed of myself for causing much disappointment to many people, and I deeply regret it. From now on, I will keep in mind that my words and actions are seen by many people, and I will always be more circumspect about my words and actions.”

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Monday, August 29, 2016 – 09:28
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