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Flash floods at Tanjong Pagar; high flood risks at Tiong Bahru, Marine Parade, West Coast areas

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SINGAPORE – Two flash floods occurred in the Tanjong Pagar area on Monday (Jan 23) morning, while various parts of Singapore from Tiong Bahru to Marine Parade faced high flood risk as a result of overnight rain since Sunday, said the PUB.

The heavy rain expected to persist till 12pm, added the national water agency.

The flash floods were reported at the junction of Craig Road and Tanjong Pagar Road, as well as at Maxwell Road (South Bridge Road). The PUB tweeted at 9.47am and 10am respectively that the floods had since subsided, and traffic is passable on both roads.

Around the same time, the PUB also warned that the water level at a canal on Prince Philip Avenue near Redhill MRT – Alexandra Canal Sub Drain B – is at 100 per cent, while the water levels had risen above 90 per cent at Tiong Bahru Road/Boon Tiong Road and Jalan Seaview.

The water level at Tanjong Penjuru in the West Coast area was above 90 per cent, but had fallen below 90 per cent at 9.44am, said the PUB, still labelling it as a street with high flood risk.

The Meteorological Service Singapore (MSS) had warned last Monday that the next two weeks of January is expected to be wetter than the first fortnight of the year, even though the overall rainfall for January is forecast to be slightly below normal.

A flooded street seen at the Supreme Court Lane on Monday morning due to a heavy downpour. Photos: Ernest Chua

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Designated smoking areas in Nee Soon South

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To ensure second-hand smoke will not bother residents in public spaces, Nee Soon South grassroots organisations have built 42 designated smoking points near coffee shops and Housing Board blocks.

Although smokers will not be penalised if they light up outside these designated points, they are encouraged to use the 3m by 3m smoking corners, which come with a roof for shelter, benches and dustbins with ashtrays.

Eight more such points will be built for new residents moving into new flats by the end of this year or next year, depending on when they collect their keys, said Nee Soon GRC Member of Parliament Lee Bee Wah at the launch of the smoking points yesterday.

The Nee Soon South estate comprises 147 blocks.

Ms Lee had said earlier that second-hand smoke is also a problem for residents living on lower floors and above coffee shops.

The smoking corners started with an initial six, built by the Nee Soon South constituency in 2014.

 It was expanded after feedback from residents.

One resident, Madam Lee Eng Yok, 83, said: “It’s good that there’s somewhere for them to go to smoke, and we won’t have to breathe in second-hand smoke.”

The project cost about $500,000, paid for by private donors, including corporations and individuals.

Resident Joe Poh, 44, who smokes, said he sometimes uses the designated points, although he said it is inconvenient to get to when it rains because of the lack of sheltered walkways.

audreyt@sph.com.sg


This article was first published on Jan 23, 2017.
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China claims success from ‘two-child’ policy as 2016 birth rates rise

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SHANGHAI – China’s decision to allow all couples to have two children instead of one has resulted in birth rates rising to the highest level since 2000, a government official said.

New births in the world’s most populous nation reached 17.86 million in 2016, up around 1.4 million compared to the 2011-2015 average, said Yang Wenzhuang of the National Health and Family Planning Commission. “While the total number of women of childbearing age fell by 5 million, the number of births increased significantly, showing that the family planning policy adjustments were extremely timely and extremely effective,” he told reporters on Sunday.

Worried about the costs of supporting an increasingly ageing population, China issued new guidelines in late 2015 allowing all parents to have two children.

China began implementing its controversial “one-child policy” in the 1970s in order to limit population growth, but authorities are now concerned that the country’s dwindling workforce will not be able to support an increasingly ageing population.

Yang said the number of women of childbearing age was expected to decline by about 5 million a year over the 2016-2020 period, but China was hoping to keep birth rates at around 17-20 million a year.

China has already made provisions to increase medical staff and the number of hospital beds in order to handle the rising number of births. It expects its total population to rise to around 1.42 billion by the end of the decade, up from 1.37 billion at the end of 2015.

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Jetstar plane bound for Phuket returns to S'pore due to 'ventilation issue'

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A Jetstar plane bound for Phuket had to turn back to Singapore yesterday afternoon, 25 minutes after take-off due to a “ventilation issue”.

The Airbus A320-232 landed safely at 3.55pm at Changi Airport’s Terminal 1, with no reports of injury.

A Changi Airport spokesman confirmed that flight 3K535, which departed at 2.40pm, had requested to turn back and its request was granted.

Jetstar spokesman Robin Goh told The Straits Times that the pilot decided for the aircraft to return to Singapore as a precautionary measure after there was an indication that the plane was experiencing a ventilation issue.

“The safety of our crew and customers is our top priority,” said Mr Goh.

“Jetstar apologies to customers for the inconvenience this has caused and has transferred all passengers on another aircraft to depart this evening.


This article was first published on Jan 23, 2017.
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Maid centre pushes for e-payments

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In its first year of operation, the Centre for Domestic Employees (CDE) has handled more than 500 cases, with salary disputes, request for transfers and physical abuse being the three most common issues.

While over 80 per cent of all the cases have been resolved, the centre wants to push to make it mandatory for employers to pay their maids electronically, so maids have more ownership of their money.

Speaking at an event to share the CDE’s report card and thank its volunteers, the centre’s chairman Yeo Guat Kwang said salary disputes arise as there is no standardised system for paying these workers.

Currently, some employers pay their maids in cash.

In some cases, the employers “act as bankers” and collect loan repayments from maids on behalf of maid agencies, Mr Yeo noted.

But when employers are financially tight, they pay the maids late or not at all.

GO CASHLESS

Welcoming CDE’s push for cashless payments, the Association of Employment Agencies president K. Jayaprema said this will enable the workers, the authorities and employers to track independent records to prove if payments were made correctly and on time.

The CDE, which is run by the National Trades Union Congress, will push for electronic payments to be applied to all domestic workers, Mr Yeo said.

The centre, which has sheltered 110 workers since opening on Jan 24 last year, will open a second shelter in a yet undisclosed location in June, which can house up to 100 maids.

It also has plans for programmes such as counselling, retraining and temporary job placements for those staying for longer periods.

Those involved in abuse cases may stay at the shelter for six months or so.

To help employers and employees understand each other better and reduce miscommunication, the centre launched a series of books which portray, through comics, cultural misunderstandings that may arise.

The books come in four different bilingual versions and are available at the CDE’s office and website.

mellinjm@sph.com.sg


This article was first published on Jan 23, 2017.
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Awareness key to improving e-waste recycling rates

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With 60,000 tonnes of electronic waste – as heavy as 220 Airbus A380 planes – churned out every year, Singapore was recently named the second biggest e-waste producer in South-east Asia and the Far East by a United Nations University report.

Singapore generated 19.95kg of e-waste per capita in 2015, behind Hong Kong’s 21.7kg and ahead of Taiwan’s 19.13kg.

Yet only a small fraction of our discarded electronics and electrical equipment (EEE) gets recycled.

The problem could lie with consumers and small and medium enterprises (SME), recycling firms told The New Paper.

Vans Chemistry’s managing director, Mr Venkatesha Murthy, said: “I would say 90 per cent of the corporates here do it the right way.

The worrying thing is that we don’t know the journey of the e-waste from SMEs and households.

“The computer or the TV that is left near the rubbish chute may be picked up by someone for reuse or repair. We don’t know what happens after the most useful parts are extracted.”

Often, they end up in the incineration plants, he said.

The lack of e-waste recycling is a pressing issue because it is both a waste of resources and a source of pollution when the incinerated bits are dumped in landfills.

Cadmium in rechargeable nickel-cadmium batteries, for instance, can accumulate in the body upon exposure and cause lung and kidney damage in the long term.

In Singapore, e-waste disposal is not legislated.

The National Environment Agency is looking at a national e-waste management system, with the study expected to be completed in the first quarter of this year.

Meanwhile, the public is encouraged to recycle e-waste through initiatives in the community.

One of the more extensive programmes is Renew (REcycling the Nation’s Electronic Waste), which StarHub runs with partners DHL and recycling firm TES-AMM.

With specialised bins islandwide, the programme saw its e-waste recycling tonnage jump from 2,695kg in 2012 to nearly 53,000kg from January to November last year.

But awareness remains a key challenge, said StarHub.

Its spokesman told TNP: “To improve e-waste recycling rates, first, we need to understand what e-waste is, the impact and ramifications of its improper disposal as well as how and what we can do about it.”

Legislation could help, said National University of Singapore’s (NUS) Associate Professor Tong Yen Wah.

The co-director of NUS’ Energy and Environmental Sustainability Solutions for Megacities programme cited Japan as an example.

With laws enacted in the 1990s, Japan boasts a 50 per cent recycling rate.

A regulatory system is needed to keep the e-waste problem from mounting, said Mr Venkatesha.

Then, the financial incentives can come in, he added.

Agreeing, e-waste recycler Virogreen’s marketing manager, Mr Mohamed Sharul Annuar, said cost is a huge obstacle for SMEs, some of which are struggling to survive.

When such a system is in place and a market is created, recyclers will be incentivised to collect e-waste, Mr Venkatesha added.

StarHub believes in encouragement rather than enforcement.

“Being responsible is as simple as correctly disposing or recycling our e-waste, whether it be at an individual or at a corporate level,” its spokesman said.

How does electronic waste get recycled?

The life cycle of electronics and electrical equipment (EEE) does not end when they stop working.

If recycled properly, the precious metals found in electronic waste can go towards new EEE products.

Discarded consumer electronics such as mobile phones, for instance, contain small amounts of precious and rare earth metals such as gold and silver.

Scrapped cars and home appliances such as fridges and air conditioners also contain these rare metals, along with base metals of iron and zinc.

In Singapore, there are several e-waste recycling initiatives for consumers.

StarHub, for instance, partners recycling company Tes-Amm and logistics company DHL Delivery to place 328 specialised recycling bins in 277 locations under its Renew programme.

Singtel has recycling bins placed at three of its shops for consumers to discard their used gadgets.

Under the Project Homecoming initiative led by Canon and Epson, those with ink and toner cartridges can also drop them off at selected National Library Board locations.

SORTED

Once collected, the e-waste is sorted, labelled and dismantled according to their types – wires, LCD screens, hard disks and more.

Measures, such as demagnetising hard disks, are taken to ensure data security.

The e-waste is then exported to countries equipped to separate the metals through chemical processes.

Once extracted, the metals are used in the manufacture of new products.

Why recycle e-waste?

When electronic waste is not disposed of properly, both the environment and public health suffer.

This is because e-waste is very heterogeneous, National University of Singapore’s Associate Professor Tong Yen Wah explained.

Apart from being made up of many types of components and materials, discarded electronics are also assembled in many ways, from simple devices like batteries to complex ones like smartphones.

“All of these make e-waste very difficult to handle and recycle, and if their disposal is not done properly, these materials can get out and be circulated in the environment,” said the co-director of NUS’ Energy and Environmental Sustainability Solutions for Megacities programme.

For instance, toxins from e-waste in landfills can seep into the groundwater that flows into rivers, causing water pollution.

fjieying@sph.com.sg


This article was first published on Jan 23, 2017.
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A Singaporean Spielberg? The challenges of turning interest in films into a viable career

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SINGAPORE: When Nur Amirah Hakim was a child, movies were simply a source of entertainment and she had no idea that she would eventually pursue a career in filmmaking.

The first films she remembers watching were by the late Yasmin Ahmad on the Suria channel over the weekends.

“Back then, they were just funny and I had a very shallow understanding of the films,” said the 20-year-old.

Over time, though, the entertainment value developed into more of serious passion and she decided to see if she could turn that passion into a career.

“Re-learning and truly understanding the meaning of Yasmin Ahmad’s films and her main intent, her portraits of people and her documentation of the human condition really made me want to pursue film and tell heart-warming stories of love and life,” she said.

Now in her third year at Ngee Ann Polytechnic, the Film Sound Video (FSV) student is hoping to follow in the footsteps of the likes of Anthony Chen and Boo Junfeng, who graduated from the school to go on to become award-winning filmmakers.

Amirah is just one of many Singaporeans ready to develop a future in the cinematic arts.

Leonard Yip, senior lecturer at Ngee Ann Polytechnic’s School of Film & Media Studies, said there has been a general increase in applications for the FSV diploma course over the past 10-12 years. Part of the reason for this is that most people have a device on which they can shoot movies, and with the rise of new and varied distribution pathways, there are far more platforms on which their work can be seen, he said.

“Facebook, Youtube, Netflix and Amazon have provided ways for filmmakers and content creators to distribute content and make filmmaking more viable and films more accessible. Technology has enabled films to be made even with your mobile phones. And that’s really exciting! I do believe (the internet) will empower our filmmakers and content creators even more.” 

A further source of inspiration may be that local filmmakers are increasingly making waves internationally, said filmmaker Wee Li Lin, who teaches screenwriting at National Technological University’s School of Art Design and Media.

“I think the success of Singaporean filmmakers such as Anthony (Chen) is a big contributing factor as well as a growing appetite and appreciation for Singapore made content. I feel people want to be part of the excitement and risk taking that goes into making films,” said Wee.

As well as more demand for formal qualifications in filmmaking, there is also anecdotal evidence that more people are interested in testing their skills in an arena which could be the stepping stone to bigger and better things.

Last year, the second edition of the Movie Makers Short Film Competition – a contest organised by MM2 entertainment, Cathay Organisation and Fox Networks Group (FNG) – saw entries almost double from the 2015 inaugural contest. And last month, organisers saw a staggering 1,209 entries submitted for Project Lapis Sagu, a film contest on cultural diversity spearheaded by the Ministry of Communications and Information (MCI).

TURNING PASSION FOR FILMMAKING INTO A CAREER?

But while more people are interested in filmmaking, how realistic is to convert that into a job – especially in Singapore, where the film market is small and the industry is still developing?

Director of Objectifs Centre For Photography and Filmmaking and the producer of Ilo Ilo Yuni Hadi said that while it may seem that there is plenty of work available, the reality is more complex.

“The barriers of entry to making films have been lowered in our age of digital filmmaking. Industry players and entertainment platforms are interested in content and there’s a flurry to create and put things out there,” she said. “The truth is having a career in film, especially independent films, is harder than ever because it hardly fits into the tone and format that people are looking at these days. Having a long and solid career in cinema requires commitment to the craft and it is only with time will we see who the greats are that will emerge from Singapore.” 

Indeed, carving out a career in Singapore or anywhere else in the world has never been easy, said Ngee Ann Poly’s Yip. But at least in Singapore, things are moving in the right direction for those looking to convert their passion into a paying prospect.

“Financial support is…critical and the Info-communications Media Development Authority of Singapore and the Singapore Film Commission have provided significant support to filmmakers over the years. Non-governmental organisations have also increasingly been supportive of our filmmakers,” he said.

Accessing that financial support brings its own challenges. Film directors are typically hired on the strength of their track record making it very difficult for aspiring newcomers to get a foothold in the industry. The advice from experts is to build up a portfolio of work to attract potential producers and investors.

At tertiary institutions like Ngee Ann Polytechnic, students get a helping hand to build up that essential body of work: the Honour Film Initiative, in partnership with Honour (Singapore), allows third year film students to make a short film with a theme of “Honouring the Invisible People of Singapore”. They receive funding of up to $5000 per film, which are later screened to thousands of secondary school students.

“This imbues values through the curriculum, gives them a sense of pride in reaching a national audience and relieves them of a financial burden in making films which earlier cohorts had,” said Yip.

 The Sandcrawler, Lucasfilm’s Singapore campus (Photo: www.lucasfilm.com)

A GROWING ECOSYSTEM IN SINGAPORE

Although challenges remain to forging a career in the film industry, more opportunities are opening up in Singapore. Lucasfilm opened its first Singapore studio in 2005, since when it has expanded its presence here, shifting into a new, 22,500 square metre regional headquarters at Fusionopolis View in 2014.

In the same year, Infinite Studios, which offers production services via soundstages and back-lot facilities, post-production, visual effects, animation and distribution for the international film and TV industry opened here. Besides working with local and regional large-scale television productions, it has also serviced the likes of Hollywood films Agent 47 and Equals which were filmed in Singapore on their soundstages. 

Also in 2014, mm2 Asia made its debut on the Singapore Exchange, becoming the first local film production company to achieve this. The company covers the entire filmmaking process, including securing financing, production and distribution.

The net result of all this is a movie making ecosystem which offers opportunities, said Wee Li Lin.

“I do see more people taking on filmmaking as a career and some people are doing it mid-career, meaning leaving their industry and going into the film industry,” she said.

“It is encouraging to see some of these individuals steadily making their mark in various departments such as art, post, tech crew, visual effects and, of course, in directing and writing as well.”

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Revelry, energy from international acts at Laneway Festival despite relentless rain

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It was another round of “Rainway” at the seventh edition of the Laneway Festival Singapore, as relentless rain pelted down over Singapore’s largest indie music festival.

From around 2pm to midnight yesterday, when the last act left the stage, the weather ran the gamut from light, persistent drizzle to thunderstorm that left a palpably wet blanket over the festival.

The drab weather was reminiscent of the first edition of Laneway at Fort Canning in 2011, where punters had to brave the rain as well.

While the festival’s current home at The Meadow at Gardens By The Bay proved to be far less muddy than its former location, there was no lack of enthusiasm from the 10,000-strong crowd that danced and sang its heart out, whether armed with ponchos or not.

The line-up of 29 international and home-grown acts comprised everything from feel-good festival bands to cutting-edge fringe ones.

At the main stages, the crowd was significantly less packed than in previous years, but this opened up more space for dancing as Australian psychedelic dance band Jagwar Ma provided tunes such as the euphoric Slipping and slow-burning Uncertainty.

Many festival-goers whom The Straits Times spoke to were there to see Oxford indie quartet Glass Animals, who were playing their first show in Asia.

Lead singer Dave Bayley set the tone, pacing around on stage barefoot and dancing uninhibitedly. From the tribal drums of Life Itself to the eight-bit slow jam vibes of Season 2 Episode 3, you could feel the energy of the crowd lift significantly.

The atmosphere hit peak euphoria on Gooey, where the crowd singalong prompted Bayley to say a breathy, “You guys are awesome.”

However, the hype and energy was no match for the action on the smaller indoor stage of The White Room, where Chicago rapper Mick Jenkins held court over a noticeably younger crowd.

With spitfire delivery and charismatic flow, the 25-year-old opened with Jazz, seguing into The Waters and Spread Love during his 45-minute set.

He himself acknowledged that unlike rappers on Top 40 radio who wax lyrical about prostitutes and money, his message was about positivity, constantly getting the crowd to chant “spread love” and the teetotal mantra of “drink more water”.

It was a case of the crowd and the performer feeding off each other’s energy to full effect.

The smaller crowds, however, could not be ignored. Last year’s edition of the festival saw 13,000 in attendance.

While the falling attendance could be attributed to the weather, some also felt that this year’s line-up – with Australian singer-songwriter Nick Murphy as headliner – was not as strong as previous years.

“I think the line-up isn’t as power-packed as the previous years,” said Mr Cleon Chua, a national serviceman who was attending his fifth Laneway.

Having been at the festival grounds from 1.30pm, he added that the rain was “definitely a bummer” that tired him out and also his friends. “But that still doesn’t stop the people from coming,” added the 22-year-old.

Some revellers had flown here, including 19-year-old university student Nabeela Styer, who travelled from Sydney, Australia, which also has its own version of the festival.

Unlike the Sydney edition which allows only people over the age of 18, Singapore’s edition is an all-ages affair, letting in anyone over the age of six. Certain smaller stages such as The White Room, however, had an age restriction for “some mature content”.

“It’s a better vibe than the Sydney one. It’s more chill whereas the Sydney one can be more intense with the crowds,” said Ms Styer, who was accompanied by her younger sisters, aged 16 and 17, and their mother.


This article was first published on Jan 22, 2017.
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Indonesian authorities detain 17 nationals returning from Syria

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JAKARTA – Indonesian authorities have detained 17 nationals returning from Syria, including children, suspected of being involved in radical activity, officials told Reuters on Sunday (Jan 22).

Immigration office spokesman Agung Sampurno said the people, including a two year-old girl and a three year-old boy, were arrested at Soekarno-Hatta airport upon disembarking an Istanbul-Jakarta Turkish Airline flight on Saturday.

They have been handed over to the police’s anti-terrorism unit for questioning, Sampurno said.

“They are currently still under an interrogation process. If we find any relation to crime on terrorism, we will continue the investigation. If not, they will be handed over to their families,” the chief of Densus 88, police’s anti-terrorism unit, Eddy Hartono told Reuters.

Police have been monitoring dozens of returning citizens over concerns they could be linking up with networks to equip a new generation of radicals with the skills and equipment required to launch a major attack at home.

Police killed 33 people and arrested 170 in 2016 for foiled attempts to launch attacks, a significant increase compared to 2015, according to their statistics.

A gun and bomb assault in the heart of Jakarta in January 2016 killed four people and was the first attack in South-east Asia claimed by Islamic State.

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