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Woman who was secretly filmed on MRT train reveals what happened after

It was supposed to be a fun Saturday night out with an old friend visiting from the UK.

But things turned out quite differently for Ms Uma Mageswari when she caught a man secretly filming her on a North-East Line (NEL) MRT train.

She had boarded the train at Outram MRT station on the evening of May 13 and was heading towards Harbourfront MRT station.

Ms Uma said she noticed a man sitting in front of her but didn’t think much of it and continued scrolling through her music playlist on her phone.

She looked up again and saw the same man holding his phone up, and seemed to be pointing the camera at her.

She started to suspect that she was being filmed and while she felt herself turning mad, she said she forced herself to keep calm and did the same thing to him – she whipped out her phone and started filming the man too.

She then posted the video on her Facebook page a few days later with an account of what happened and even some details of the man as well.

on Facebook

This is a video that I had recorded on 13th May 2017 Saturday at 7.40pm a minute or so after I had boarded the train at…

Posted by Uma Mageswari on Sunday, 14 May 2017

It didn’t take long before it went viral in Singapore. At the time of publishing, the video has garnered over one million views.

In a phone interview with AsiaOne, Ms Uma said she had already been planning on how to confront the guy – while filming him – during the three to four minutes she had before the train reached its final destination at Harbourfront station.

“There was no doubt on my mind that I was going to confront him. No way was I going to let him get away,” Ms Uma, 36, said.

“My body that you perceive to be a weakness is going to be my weapon.”

The moment the train pulled to a stop, the former volunteer counsellor said she got up and blocked him from exiting the train.

She said she immediately asked him about the recording and demanded that he show her his phone.

According to Ms Uma, the man did not oblige, but she managed to get him to follow her out of the train carriage and to the control station to seek help after an MRT staff advised her to do so.

My body that you perceive to be a weakness is going to be my weapon.

Ms Uma Mageswari

“He didn’t try to run away but I was prepared to chase after him if I had to,” said Ms Uma.

She said the control station staff rendered help as soon as she told them what happened, and one of them offered to call in the police. By then, Public Transport Security Command (TransCom) officers had also stepped in to help.

According to Ms Uma, the police also arrived “within minutes”.

This was when Ms Uma found out more information about the perpetrator and learned that his name was Suraj. According to her, Suraj is married with a son.

Ms Uma said he told the police that he was using “a new phone” and didn’t know how to use its buttons properly. He also added that Ms Uma reminded him of his own sister.

“He didn’t offer an apology before but suddenly he wants to say ‘sorry’ to me,” she said.

She told AsiaOne that if she was going to be a victim, “I’d rather be someone’s last”.

“Let my voice be heard each time he attempts to whip out his phone (to film a woman in secret),” said Ms Uma.

The police have since classified the case as intentionally causing alarm under the Protection from Harassment Act. Investigations are currently ongoing.

Staying positive despite everything

Although Ms Uma admitted that the incident was rather embarrassing, she was inspired to talk about it publicly after she related the incident to two of her goddaughters, aged 11 and 12.

“I told them, ‘Don’t look for people to help you, be your own hero’,” Ms Uma shared, adding that thousands have sent her friend requests as well as private messages on Facebook.

She maintains that she is “humbled” and appreciates the words of strength from strangers, especially those who stepped forward to share similar experiences of their own with her.

She also believes that Singaporean women would do the same as she did and take action if they were in a similar situation.

On naysayers who slammed her for speaking up, Ms Uma said: “This is me and the way I look at it – I’d like to take something positive out of this experience.”

In fact, she sees it as the “best belated birthday present” she’s received this year as she had just celebrated her birthday last week.

ssandrea@sph.com.sg

Wednesday, May 17, 2017 – 14:40

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Crazy Rich Asians filming in Malaysia because no palatial home found in Singapore

Here’s how an international bestseller got a grand Malaysian treatment.

IF all goes well, our unique Malaysian (slash Singaporean) accent will be all over a major Hollywood production.

And who should be speaking it on our behalf? None other than Tan Sri Michelle Yeoh in the upcoming Warner Brothers film, Crazy Rich Asians (CRA).

For those who haven’t cottoned on, CRA is the bestselling novel by Kevin Kwan set in Singapore about, well, crazy rich Singaporeans. The film version is currently being filmed in … drum roll please …Malaysia.

“Why Malaysia?”

“Because the family home of the lead character, Nick Young, is palatial and we couldn’t find such a place in Singapore,” Adele Lim tells me.

And who is Adele?

She is the scriptwriter for the movie and the only Malaysian-born TV writer in Hollywood. I couldn’t be prouder.

Why am I proud?

Because Adele used to write for me. Or more specifically, she wrote a column called Life! in Section 2 (now Star2) as a teenager and undergraduate, when I was the editor.

The young woman I knew more than 20 years ago has certainly grown up and very nicely too.

She was our youngest columnist and even at that age, she had a gift with words. After she graduated, she headed for Hollywood to get into TV work.

She got her break as a writer’s assistant, which is an entry-level position, on Xena Warrior Princess and went on to work her way up the very competitive pecking order of TV writing and production. (Google her to find out more of her amazing success story.)

At 42, she is now a bona fide Hollywood TV writer of 16 years. CRA is her first feature film and it was Jon Chu, the director, who got her on board.

“I had developed a TV show with Jon. Although that didn’t materialise, we had a good working experience,” says Adele.

“A year ago, he called me asking if I had read the book, Crazy Rich Asians. I had heard about it because my mum and aunties had also urged me to read it.

“After Jon’s call, I finally read it and understood why they liked it so much.”

CRA is about American-born Rachel Chu following her boyfriend Nick, an NYU history professor, to Singapore to attend his best friend’s wedding, only to find that Nick’s family is fabulously rich, something he failed to tell her.

And as the blurb on the book puts it, “Her relaxed vacation turns into an obstacle course of old money, new money, nosy relatives and scheming social climbers”, not to mention Nick’s formidable and domineering mother, Eleanor.

“It’s a joyful, fun story and the culture, specifically of the Chinese in South-East Asia, appealed to me,” says Adele.

Funnily enough, she says Chu, an American-born Chinese with several films under his belt, didn’t even know she was from Malaysia. “I might have mentioned it but he didn’t remember.”

Chu says in an interview with Entertainment Weekly that he knew the producers Nina Jacobson and Brad Simpson from Color Force (same company that did the Hunger Games series) and asked for the script.

He read it, loved it and “knew in my heart I had to do it.”

“Obviously, while you’re reading a script you’re going, ‘How are they going to translate this?’… and I knew we could bring it to another level,” he says.

Enter Adele.

Chu says Adele came in and “did an amazing job adding all the extra touches.”

“As a woman, she has a very strong (connection) with the female characters Rachel and Eleanor and all these different philosophies of life and family and their lives colliding into one intersection. She brought on all these other elements which is really great.”

Just as Chu could relate to the book because “all the struggles I’ve experienced are in this book in a fun way”, so too Adele.

“I felt I had something to offer as I could draw loose parallels. My family isn’t crazy rich but I have an extended family of aunties who are deeply concerned about their children and have a lot of opinions.”

As for the strong thread of wealth and materialism in the plot, Adele says while the western concept of materialism can be superficial, for Asians, who are not shy about talking about wealth: “It shows you are trying hard and it’s a way to show love, how you take care of family.”

CRA also appealed to Adele for being different from the kind of writing by and about Asians.

“There is a lot of Asian literature which is super serious – about escaping the Cultural Revolution, the hard life and eating bitterness every day,” she says.

And while she readily acknowledges these are valid, amazing stories that should be told, they aren’t what she can relate to.

Kwan’s book is just the opposite; Adele describes it as “a very vibrant and affectionate, laugh-at-ourselves portrait” of overseas Chinese in this corner of the world.

Her script reflects the society and culture as we know it and is peppered with Malay, Hokkien and Cantonese terms and references.

Rachel is played by American-Chinese TV actress Constance Wu of Fresh off the Boat fame.

Playing Nick is Henry Golding who is of British and Iban descent.

Adele says Chu auditioned many actors before deciding on the Singapore-based TV travel show host.

“Jon saw a video of Henry doing his travel shows and he was just so charming and engaging. We wanted girls to look at him and say ‘I want him for my boyfriend’.”

Yeoh plays Eleanor, a role Adele and I both agree is made for our Tan Sri.

“She embodies the role as Eleanor is regal and someone you don’t mess with. She switches between English and Cantonese so it’s a role that is perfect for Michelle,” says Adele.

And that’s why I say we can finally enjoy the full measure of Yeoh’s Malaysian accent in a Hollywood movie. Best!

Another cool factor which Malaysians and Singaporeans will appreciate is hearing Hokkien in a Hollywood movie, a fact that tickles Adele as she thinks that’s a first.

What tickles me is how KL is standing in for Singapore and even New York City, although some shooting will take place down south – I suppose, they will need a couple of establishing shots of the Lion City’s skyline.

For all these reasons, I am rooting for Crazy Rich Asians, the first major Hollywood movie with an all-Asian cast since Joy Luck Club in 1993 and Memoirs of a Geisha in 2005, written by a Malaysian, starring a Malaysian (and a half) and filmed in Malaysia.

So here’s hoping Crazy Rich Asians’ over-the-top, funny but with heart plot does crazy well with critics and audiences when it’s released next year.

Wednesday, May 17, 2017 – 14:27

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Mediacorp launches new studio for movie audio production

SINGAPORE: Mediacorp launched its most advanced movie mixing studio on Wednesday (May 17) that it described as “the musician’s dream studio for producing any digital audio format.”

The 70 square metre Movie-Mixing Studio (MMS) is the first certified Auro3D and Auromax mixing studio in Southeast Asia, it added. 

Auro3D is an immersive 3D audio format that’s designed along three layers of sound, according to the Belgium-based company that developed it.

Located at the Mediacorp Campus in one-north, the MMS studio was designed by world renowned audio engineer and studio designer David Hawkins. 

“With the first certified Auro3D and Auromax MMS in Southeast Asia, we can now provide the highest possible audio standard, sound design, music composing services all under one roof – in short, a one-stop shop for audio post production services for our business partners,” said Ms Doreen Neo, Mediacorp’s head of studios. 

The Movie-Mixing Studio in operation. (Photo: Mediacorp)

The MMS is the most advanced of seven sound mixing studios owned by Audio Post, a Mediacorp unit which specialises in music and sound mixing. 

These studios are where television dramas, entertainment programmes as well as local and regional films have their music and sound effects post-produced. 

At the launch on Wednesday, Mediacorp’s chief content officer Cheah Chee Kong recalled having to go to Bangkok or Hong Kong for the final audio mix with his team of filmmakers in the past. “With MMS, this is no longer necessary as we have the expertise, equipment and technology right here to support the entire production process,” he said.

The launch was attended by guests from the local and regional movie industry, as well as overseas business partners from Belgium, China, Myanmar and Malaysia.

Mediacorp chairman Ernest Wong and Senior Minister of State for Communications and Information Chee Hong Tat officially launching the Movie-Mixing Studio. (Photo: Natasha Razak)

Senior Minister of State for Communications and Information Chee Hong Tat, who was the Guest of Honour, said he hopes that the MMS will become the choice studio for movie makers all over the world and that “a Singaporean will receive an Oscar for sound editing done from here”.

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Cathay Pacific: Fares fr $188 all-in return with Standard Chartered cards! Book from now till 6 Jun 2017

CATHAY PACIFIC: Promo fares fr $188 all-in return with Standard Chartered cards! Book from now till 6 June

Cathay Pacific: Fares fr $188 all-in return with Standard Chartered cards! Book from now till 6 Jun 2017

From short getaways to long vacations, Cathay Pacific has got you covered with special fares from SGD188 all-in on Economy Class. Book now with your Standard Chartered card, offer ends 6 June 2017.

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Joseon Korea Court Treasures and City Life

#InternationalMuseumDay
Intrigued by sets and costumes from Korean historical dramas and films? Then you will not want to miss the Joseon Korea: Court Treasures and City Life exhibition at Asian Civilisations Museum! Treasures from the National Museum of Korea, the National Palace Museum of Korea, and the Daegu National Museum will be displayed for the first time ever in Singapore. The exhibition will showcase actual furniture, fashion, and decorative arts from Korea’s Joseon era (1392–1897), the country’s last dynasty.
http://www.sistic.com.sg/events/cacmjk2017

Joseon Korea Court Treasures and City Life

Joseon KoreaCourt Treasures and City Life22 April to 23 July 2017Asian Civilisations MuseumIntrigued by sets and costumes from Korean historical dramas and films? Then you will want to see actual furniture, fashion, and decorative arts from Korea’s Joseon era (1392–1897). Spanning some 500 years, Jo…

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"I Know Without A Doubt I Am Going To Come Out Victorious"

Being undefeated and having an air of invincibility adds a certain allure to a champion, and unbeaten ONE Women’s Atomweight World Champion “Unstoppable” Angela Lee has looked just as her nickname implies.

On Friday Night, 26 May, at the Singapore Indoor Stadium, Lee (7-0) puts her title and unblemished record on the line against Brazilian knockout artist Istela Nunes (5-0 1 NC) in the main event of ONE: DYNASTY OF HEROES.

The two fighters are both eager to leave with the belt and the zero in their loss columns, and the 20-year-old Singaporean expects that to be her.

“I am the more complete fighter, and at the end of the day, that is what it comes down to,” the title holder says. “I have been doing this my whole life, and when we step into the cage, I know without a doubt I am going to come out victorious.”

The statement Lee made in her first title defence at ONE: WARRIOR KINGDOM in March certainly helped to secure her top billing in Singapore, as she obliterated then-unbeaten challenger Jenny Huang with brilliant striking before delivering a TKO in the third round.

Thrilling the crowd with exciting bouts and finishes is a sure-fire way to keep one’s headlining status intact. Lee was pleased with the result, as stoppages are her primary aim when the cage door closes.

“I feel like the statement I made with that bout was, ‘Look, I am the champion, I am legitimate, and I am a finisher.'” Lee says. “Because I want to finish the fight, that makes me one of the more exciting fighters.”

Six of her seven victories have come inside the distance, with the sole decision being the five-round thriller against Mei Yamaguchi that won her the title at Singapore’s ONE: ASCENT TO POWER in May 2016.

What primes this next encounter perfectly is that Nunes did the same thing in August, defeating Yamaguchi via split decision at ONE: HEROES OF THE WORLD, and announcing her arrival to ONE Championship fans.

The Brazilian is a feared two-time Muay Thai world champion, and a video of her triple head kick knockout in mixed martial arts competition even went viral. It is important for an athlete to recognise the threats an opponent poses, and Lee accepts Nunes is “explosive” and “a legitimate striker.”

Singapore’s Angela Lee defeats previously-unbeaten Taiwan fighter

However, Lee knows it is more important to hone in on her own game, and make sure that it is the focal point of her strategy.

“I cannot focus too much on what she is going to bring to the table and what her game plan is,” she says. “All I can do is focus on myself, my game plan, and make myself as prepared as I can be, so when I step into the cage, I can perform to the best of my abilities.”

With her father and lifelong martial arts coach Ken Lee at the helm, and preparation also taking place at Evolve MMA, there is no doubt the 20-year-old will be primed for action. She is already making waves and showing herself to be a superstar in the Asian martial arts scene. Defeating yet another unbeaten challenger would see that prestige skyrocket.

It all boils down to her performance on the night. Lee’s confidence grows with every single victory, and that confidence is at an all-time high following the dismantling of Huang in Bangkok. The unbeaten champion expects to see a similar image in Singapore, with her hand raised in victory come Friday, 26 May.

Wednesday, May 17, 2017 – 13:26

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Meet the Japanese Michael Jackson

Daichi Miura is a truly gifted star. Since making his debut at 9, the singer and dancer has been known as the Japanese Michael Jackson. With his long career and outstanding performance skills, the 29-year-old artist is reaching the top of the showbiz world.

Also a composer, songwriter and concert director, Miura got off to a flying start this year with his first solo concert at the Yoyogi 1st Gymnasium in Tokyo in January. The event was a great success, drawing an audience of about 12,000, including famous musicians and entertainers, some of them from Johnny & Associates.

The concert proved Miura’s music is appreciated not only by his fans, but also by popular artists today.

A few days later, his single titled “Excite” topped the Oricon weekly chart for the first time. It is the theme song for the tokusatsu superhero drama “Kamen Rider Ex-Aid,” which is currently being broadcast.

“I am thankful for people’s support for me,” Miura said. “I was also happy that my piece became the first theme song in the Kamen Rider series to have topped the chart.”

For the Okinawa Prefecture native, Kamen Rider is special because he enjoyed dancing to a theme song from the series in his kindergarten days, which eventually led to him going to dance school.

It took 20 years for him to reach the top place in the chart. “Continuing to do one thing is perhaps Daichi Miura’s own style,” he said.

Miura made his CD debut in 1997 as the main vocalist and youngest member of the seven-member group Folder. He came into the spotlight for his rich voice and natural dance sense, reminding many of Michael Jackson when he was the youngest member of the Jackson 5.

“I was so young at that time that I didn’t understand my work well,” Miura said. “I simply liked singing and dancing. I’ve just continued doing it until today.”

A young Miura took a break from his showbiz activities right after entering junior high school because of his voice breaking. He joined a volleyball club and enjoyed being an ordinary junior high school student.

When he was in his third year, his voice had almost stabilized, taking him back to a life centred on singing and dancing.

The hiatus hadn’t shaken Miura’s childhood determination for a life as a professional singer and dancer, and he made his solo debut at 17 in 2005.

Miura’s music with authentic R&B sounds shows a clear difference from Japanese pop music, which is easy to understand and aims to sell well. Even so, his quality music has been greatly acknowledged in the music industry, and deserves appreciation from a much wider range of people.

The Cover of Miura’s album, “Hit”Photo: The Japan News/Asia News Network

Drawing a line

“I want to enjoy music with more people,” Miura said. “However, more importantly, I’ve been working while always telling myself I should be able to do better.

“Also, what is music ‘that is easy to understand’? Moreover, if I applied some music theory and tried to find out how to sell well, I would mistake the means for the end. I definitely want to put music first. In the end, if it sells well, that’s ideal.”

Miura said his approach to music has become more straightforward. This probably explains why more and more artists appreciate his style.

His new album “Hit,” released in March by Avex, also features Soil & “Pimp” Sessions, a jazz band that has collaborated with such talented musicians as Ringo Sheena and Miho Fukuhara.

Miura had the band in mind for his album because he had been enthralled by its collaboration with Fukuhara. He invited the band to work with him, thinking his request may be declined.

To his surprise, the band quickly accepted his offer, while also pleasing him by saying the group had been listening to his music since he was a Folder member.

“I was so happy to hear that,” Miura said. “There were people out there watching what I’ve been doing, and now we are all getting together. I realise how important it is to keep at it.”

Listening to the 12-song album, you will probably start moving to his groovy singing with a good sense of rhythm. His marvelous improvised dance to the first song “Darkest Before Dawn” can be seen in a promotional video on the internet.

“Hit” may sound paradoxical, as Miura has been single-mindedly pursuing good music without aiming to make a hit, but the title is impressive.

“I think it’s fun to talk big [by calling my new album ‘Hit’],” Miura said. “But I may have to say, ‘Sorry, ‘Hit’ wasn’t a hit’ in the end.”

Miura also chose the name because the album is filled with music that “hit” him, and he hopes that his songs can do the same to someone’s heart.

“Hit” is also the acronym for “Hang In There,” the title of the last song on the album.

Miura said the expression is meant not only for himself, but also for others. “There are many things that don’t go the way we want,” he said. “I hope my music encourages people to hang in there and find something new.”

Thursday, May 18, 2017 – 09:53

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Taylor Swift now dating British star Joe Alwyn: Report

Amid reports of several breakups of Hollywood couples, Taylor Swift has found new love in a dashing British actor.

According to The Sun, the pop star and 26-year-old Joe Alwyn have been lovey-dovey for the past several months. To bypass unruly paparazzi spies, Swift, who has rented a place near her beau’s home in London, wears hats and wigs while walking with him.

“Taylor and Joe are the real deal, this is a very serious relationship,” one insider told the news site. “But after what happened with Tom Hiddleston (Swift’s ex-boyfriend), they were determined to keep it quiet.”

Aside from maintaining her romance with Alwyn under wraps, Swift flies on private jets whenever she travels, a lesson she learned with Tom Hiddleston last year.

“Taylor has flown in via private jets and her security has made it a military-like mission to prevent her from being seen,” the source divulged.

Although not as famous as his new flame, Alwyn appeared in “Billy Lynn’s Long Halftime Walk” and is in the forthcoming movie “The Favourite” alongside Emma Stone and Rachel Weisz.

Despite mounting international stardom for her chart-topping songs, Swift, 27, has dated several men and broke up with them. Aside from Hiddleston, Swift shared a “love story” with Calvin Harris, Harry Styles, Joe Jonas and Conor Kennedy.

For the meantime, Swifties (Swift’s fans) could only hope that her new affair will not lead to another breakup song soon.

Wednesday, May 17, 2017 – 12:48

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More water pipeline works to be expected over next 2 years

SINGAPORE: PUB will be building 60km of new water pipeline to meet demand from new developments, and renewing another 75km of older water pipeline for network maintenance and improvement over the next two years.

Singapore’s national water agency announced the move on Wednesday (May 17) at a media briefing and site visits to the ongoing Murnane Pipeline Project as well as another pipeline project running from Punggol Way to Elias Road. These works are aimed at meeting future water demand in the city and eastern parts of Singapore.

To preserve landmarks of historical value, and due to the high degree of urban development and underground infrastructure in areas, significant parts of the two projects will need to be constructed using a pipe jacking method to tunnel under.

The 17m shaft at the jacking site at Tanglin Road, which will allow pipes to be lowered and inserted below power lines and drains. (Photo: Loke Kok Fai)

This involves driving through stretches of earth with a hydraulic pump and jacking machine while laying the pipeline in place behind. In the conventional open cut method, earth around the site is first excavated, before pipes are laid and the stretch re-buried.

Pipe jacking is about 25 per cent slower than the open cut method, and also costs about two-and-a-half times more. About 40 per cent of the 22-kilometre Murnane Pipeline Project will need to be done using this method, including a stretch under the Singapore River that goes as deep as 50 metres underground.

More than 80 per cent of the seven-kilometre Punggol Way to Elias Road project would also require this method, running under Punggol Field.

Masagos being briefed on works at the Tanglin Halt side. (Photo: Loke Kok Fai)

Speaking to reporters at a jacking site along Tanglin Halt on Wednesday, Environment and Water Resources Minister Masagos Zulkifli said about 90 per cent of the roughly 200km of pipeline works that the PUB will oversee until 2030 would likely have to be constructed using the costlier pipe jacking method.

“It is within our budget, but we have to ensure that we have enough to recover from our operations to fund this project for the next 15 to 20 years,” said Mr Masagos. 

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Businesses reopen at Changi Airport's Terminal 2, but fire takes toll

SINGAPORE: Businesses at Changi Airport’s Terminal 2 reopened on Wednesday (May 17), although some are still dealing with the ramifications of the “small fire” that broke out on Tuesday.

The fire that broke out at a room holding air-conditioning equipment resulted in the evacuation of Terminal 2 causing flight delays on Tuesday. Changi Airport Group (CAG) said two people in the terminal were taken to hospital for observation after approaching airport staff for medical assistance, while another four were taken to a clinic at Terminal 3. 

Cleaning of the affected room, believed to be on the fifth floor of the terminal, is said to have lasted until 2am on Wednesday. CAG said normal operations resumed at 3am, and the first flight out from Terminal 2 was at 5.40am.  

Changi Airport Terminal 2 the day after the terminal was shut down due to a fire. (Photo: Jalelah Abu Baker)

When Channel NewsAsia went to the restaurants, situated just above the departure hall entrance on the right of Terminal 2 on Wednesday morning, staff at Nando’s were using plastic sheets to cover equipment. The fire was said to have triggered the sprinkler systems of shops located directly below the affected rooms. 

Mr Ng Kok Leng, a business development executive from the chain who was there, said water continued to leak into the outlet, and there were power trips affecting the lighting.

On Tuesday, by the time staff were allowed back into the outlet at about 10.30pm, it was flooded, he added. Parts of the feature wall were affected, and a thin acrid smell lingered in the third-floor outlet.

“We are checking with our insurer if we can be covered on the damages,” Mr Ng said.

Another food and beverage (F&B) outlet, Chutney Mary, also had to deal with the fire’s aftermath, engaging a cleaning crew to clear water out of its third-floor outlet.

SALES AFFECTED

Elsewhere at the airport, eateries reported losses of between 10 per cent and 80 per cent of their daily sales.

Mr Eric Low, operations manager at Artisan Boulangerie Co, estimated that the second-floor outlet suffered a 30 per cent drop in daily sales. He had just gotten home after his 8am-5pm shift when he got a call from his staff about being evacuated. He returned to the airport after 8pm, and stayed till 10.30pm,when he was given the all-clear to resume business.

“It’s lucky our food display is fully closed. If it had been open, it’s likely the smoke would have gone in,” Mr Low said.

Godiva’s senior customer representative Nadira Abdullah said there was about 80 per cent drop in its daily sales for Tuesday, given that the terminal closure was done during its usual peak hours.

The restaurant manager at Swensen’s, who wanted to be known only as Wati, estimated a 50 per cent drop in sales, while 1983 Cafe Nanyang’s area chef Irene Chico calculated a 10 per cent loss.

F&B outlets such as Godiva and 1983 Cafe Nanyang saw a drop in daily sales following the fire on Tuesday. (Photo: Jalelah Abu Bakar)

“If it had been a weekend it would have been worse. Many people come to have a meal with their families during the weekends,” Ms Chico said.

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